JUR-656 - I can't tell my wife, I got my mother-in-law pregnant… - On a 1 night, 2 day hot spring trip, I lost control and repeatedly thrust inside her. - Natsume Reika

*From this work, a ``child-making bath'' setting has been added, and the preface has been changed in a lot more detail to say that the mother-in-law has also abstained and actually wants to have another child, and that the daughter has no intention of trying to conceive yet. The age imbalance between the father-in-law and daughter roles remains the same, but the omission of the married man not wearing a ring does give a sense of improvement, even though it looks like it was made from wire. I want my mother-in-law to be a little more abstinent and horny, but the script doesn't allow her to be found out, so it's difficult. However, the fact that she has been abstinent from the ``child-making bath'' is revealed fairly quickly, so it would have been nice if there was a line where her son-in-law saw through her desire to become pregnant. In the first performance, she performs in front of the mirror, and like in the Misaki Hikari version, she makes her look directly at her own erotic face, which improves the level of perfection. The camera work is also good, as you can't see the insertion and removal, so you think it's a pseudo-sex scene, but you can see it in the drawing as it is. However, it's a pity that the creepy scene where the son-in-law licks the pussy containing creampie sperm has been changed for the worse by director Mamezawa. It's a shame that the father-in-law's ``Next time, I want to come with all five of us'' is ignored in the family reunion scene, but it's still better because the mother-in-law and son-in-law don't even have a conversation. Even in the night sex scene, I wanted the stepmother to feel like she was in agony and couldn't sleep, but when she kisses her with her tongue even though she refuses with her mouth, it's easy to see that she's fallen. Although the actress' performance was not good when she couldn't make a sound, her performance when the penis entered her or when she ejaculated was good. After the performance, the light play in the hallway from the completely fallen stage where the mother-in-law asks for a kiss before her son-in-law asks her for a kiss is nice, with the facial cumshot that goes all the way to the eyes of the actress, giving it a nice sense of marking with erotic content. It's valuable in a world where sordid facial cumshots are prevalent, such as kisses where you can taste the semen from chin or mouth cumshots, or actresses waiting to be cut in a Noh mask even if it gets on their face. However, since the ``baby-making bath'' setting was added to the image scene, I wanted the scene of them entering the hot spring again. In the second half of the sex, where the father-in-law and daughter are already out of the picture, thanks to the mother-in-law's script of her desire to conceive, the opening act of making a baby has a better effect, and the change in meaning to pregnancy-hunting sex where they both want to have a child, rather than just wanting to do it, is a big change. The ending is a continua