JUR-684 - I can never tell my wife I got my mother-in-law pregnant... A 1-night, 2-day onsen trip where I lost control and went all the way.

*The jacket designation also says that it was directed by Mamezawa, but the end credits are directed by Natsu Kashu. The manufacturer provides accurate information. The overall balance between the actors, such as the actress and the father-in-law, and the male actor and the wife, is perhaps the most natural in recent times. The detail in which all the married people are wearing real wedding rings is also highly praised. The ``childhood bath'' setting has been carried over from the previous work, and the step-mother's desire to have children is now easier to understand, with the step-mother clearly acknowledging to the son-in-law at the beginning that she has also been celibate. In the first performance, when they play in front of a mirror, it's strange that the cut where the actress looks directly at herself in the mirror is shot separately, but it's an improvement from the previous work in that it doesn't have the creepy feeling of the husband cunnilingus on the sperm-filled pussy he just cummed in. It's easier to understand that the mother-in-law doesn't listen to her husband in the family reunion scene, and it's also a development that links to the feeling that the two of them are in a world of their own in the conversation before sex in the second half. Even the blowjob scene in the hallway after the second real performance was complete with a facial cum shot that covered her hair with thick semen, and it was even better than when she used fake juice that looked like water considering the setting. I got the impression that Meika Nanba wasn't very good at dramatic acting, but it wasn't as bad as I expected. I especially like her shy smile in the scene where she admits her abstinence to her son-in-law, and her smile from the middle onwards when they kiss after the actual performance. Her acting, where she can't make a sound, is not so good, but even in the second half of the sex scene, when she takes in his dick, she shows a good expression while looking at the son-in-law, and by having her legs wrapped around the son-in-law's waist instead of relying on cut cuts, it is one of the most famous scenes in the series, where it is conveyed that the actress is having sex with the intention of conceiving the son-in-law's child. Even in the cowgirl position, she inserts herself while looking at the man's face, and her communication skills are highly praised. I had no complaints as long as I was looking at the other person's face until I cum. On the other hand, considering the change in the script regarding the mother-in-law's abstinence and her desire to become pregnant, it is still half-hearted as it is not reflected in the dialogue during Karami and is not much different from before. The actor's deep throat is also weak, and the creampie that emphasizes the joint rather than the feeling of seeding is not good enough. Even in the middle of the story, Karami, who can't make a sound, makes unnecessary noises that spoil the tension and are a nuisance. The ending also goes back to what it was before, and the costume is no longer a maternity-like dress. I was hoping for a sense of euphoria as the actress's smile had been good up until that point, but it wasn't that great and I was a little disappointed in my expectations. Although there are many improvements from the previous work, there are also noticeable things that are lacking, so this time I give it 4 stars.

*I am in love with Akika's beauty. ◯Creampie in the open-air bath or in the changing room from missionary position. ◯ Night sex, wearing beautiful lingerie, creampie from the sleeping position, creampie from missionary position, crazy ◯Titty fuck squirt in the hallway ◯Next morning SEX - Creampie from missionary position Overall, I'm in love with the beauty of every chapter.