DLDSS-392 - 『Sweet Kiss, Betrayal and Adultery.』 Discovering her fiancé's infidelity, she became sexually liberated and had an intense kiss with a successful president, losing control and causing her daily life to fall apart. Mino Suzume

Don't go in expecting just pure porn, or you might be disappointed. But if you watch it as an erotic thriller, it's surprisingly exciting. The story is solid, and the lighting and camerawork remind me of Takashi Ishii ('Nude Nights', 'Angel's Cradle'). It feels more like an R-18 movie than an AV. It's a divisive piece, but I personally give it high marks. Lives up to the hype.

A work that captures Mino's body like a movie. It's sensual, but Mino's performance lacks passion, so the excitement level is a bit low. Giving it 4 stars out of respect for the production team's effort.

Was the room a little too dark?… It was hard to see Suzume-san's beautiful expressions and reactions during their interaction. It felt like a missed opportunity… kind of killed the mood a bit, honestly.

*[Original idea/planned by Mino Suzume] → It's amazing that an actress is the original idea/planner! ! Although it is called a super authentic suspense kiss drama AV, it is different from ordinary AV works. The images and depictions are innovative. The H scene also has a unique camera angle, so it works because it's Mino Suzume's visuals, but it doesn't look like an AV, so it might be difficult to get people excited!

This really makes you realize how essential lighting is to eroticism. Though, some might find it too dark to watch. That's where opinions will differ. The title suggests it's focused on kissing, and there *are* a lot of kissing scenes, but the director doesn't seem particularly fixated on them. They seem more focused on capturing the overall entanglement evenly. Watching this, I thought, 'I've seen this shooting style somewhere before,' and it turns out it's a director who's been shooting a lot of Madonna's work lately. You might enjoy this more as an erotic film than as an AV. Top tier work.