
The fifth installment of the series where women sneak into each other's beds at night. Knowing they shouldn't cross the line, they struggle to resist, but the urge becomes too strong. One sneaks into the other's room while she sleeps. Though the straight woman initially resists, she eventually succumbs to the pleasure and begins to accept the forbidden relationship.




















From the bed to the office and the sofaโthis is a supreme collection of short stories about getting turned on by someone you shouldn't touch while they're defenseless and asleep. Great volume, too.
It felt a bit less erotic compared to the previous one. The first couple's play was good, but the kissing was terrible. She's not the type of actress who usually kisses like that, so it must be the director's stupid direction. The fourth couple's kiss wasn't bad; they probably ignored the director's instructions. To make a good film, you should let the actresses do what they want, or if the director lacks sense, they should just ignore him.
The actresses' level is decent enough, but the play overall is too soft, which kills the excitement. The story premise of 'the boss's daughter' and 'the fiancรฉe' isn't bad, but I wish they had gone a bit harder on the lesbian scenes...
The stories in this series are good, but I always feel like the actresses are miscast. Especially in the first one, where the setting is 'my friend's little sister,' but the one being attacked looks older than him no matter how you look at it. The only good one was the second part, 'the company president's daughter who just joined.' Maybe they had good chemistry, but the interaction was great.
This series is all about the process of getting caught at night, feeling intense pleasure, and then turning the tables on the partner. This installment features four lesser-known actresses, delivering some fairly illicit encounters. The only downside is the quiet audio due to the 'nighttime' setting, but given the lack of budget for subtitles, I suppose that's just how it goes with these productions.