
A married woman from Kyoto sends an email confessing that after 4 years of marriage, her sex life is dry. She admits to having extreme fantasies about being tied up and violated by strangers. She finally reaches out, asking to be trained into a perverted woman because she couldn't take the first step alone.




















The woman who shows up at the meeting spot is just an ordinary housewife you could find anywhere. I had her get naked in the back of the car and tied her up. Then, I had her put clothes back on and we walked around tourist spots in Kyoto, with some exhibitionist play where she'd flash her breasts occasionally. While moving by car, I checked her condition with my cock. Once at the hotel, I tied her up with red rope and teased her with toys. I stuck a vibrator on her and left her for a while. After that, she performed fellatio, then I inserted and finished on her face. After she masturbated while fully naked, she gave me a handjob and oral service to finish. Finally, a farewell blowjob in the car.
Reviewing a work I bought a long time ago and hadn't watched in a while. At the time of purchase, I was looking for the bondage and exposure genres, but looking at it now, the actress's curvy body and sexy breasts are exactly my type (I guess my tastes have changed). The full-nude bondage in the car was a bit loose, but still enjoyable. The scene walking in a front-slit dress is also good. The hotel scene is a bit disappointing because it doesn't use rope, but looking back, the way her breasts are bound, the loose look, and the erect nipples add a nice flavor—a new discovery. There was rope bondage in the second half, but it was a shame that the binding was too loose.
The thing about this actress is that she actually enjoys SM but acts shy about it; she doesn't get turned on right away, but that's exactly what makes it good. And when she finally does get into it, that's great too. If you're into female shyness, you're going to love this.
It sounds harsh, but there was absolutely nothing worth watching. It's a rare piece where I fast-forwarded from start to finish without hitting the play button even once.