HTMS-104 - Henry Tsukamoto Wife Swap Watching Wife Doing Things with Man

*Unfortunately, Henry Tsukamoto's works generally don't involve creampie. But is this work a creampie? It looks like That alone makes me want to give it a high rating (actually, it's 4.5 points, but I'm rounding up). If it's just the acting, I'd say 4 points.

I've seen many wife-swapping films, but I'm disappointed at how far the quality has fallen. The dialogue is unclear—I can't tell what they're saying; there's emotion, but the words are unintelligible. (That's fatal for an FA production where dirty talk is a selling point.) Maybe it's because they're mass-produced, but recent AV actresses just seem young and pretty, and they all feel the same. It's ridiculous that even their pubic hair styles are identical. There were some highlights, like Natsumi Kitahara's bouncing breasts, Emiko Koike's waist and gaze, and the erotic aura of Maika Asai. The micro-hair styles of Yumi Kazama and Maika Asai are a must-see. Since hair is something you can change freely, they should really treat it as the 'face' of the lower body and put more effort into it.

It's surprisingly terrible. There's no flow, and it's exhausting to watch. The final shot is even rotated sideways. I have nothing more to say. This is just my personal opinion.

*The feeling of being a master craftsman. Henry is the only one before or after him who could express such eroticism with just a close-up of his face and lines, and this is a skill that Hibino and other actors and veteran actresses such as Enjo and Wakabayashi, who know everything about Henry's direction, can do. Morishita was also fresh and good. As a traditional fan, I don't want the classic couple's first meeting scene and their aloofness from each other to be left out.

I had high expectations since Mio Morishita was appearing in a Henry Tsukamoto film. The theme—'the most exciting thing in the world: watching your wife with another man'—is also quite provocative. All four actresses are talented and have attractive bodies. In particular, Morishita's mesh innerwear (resembling a ninja outfit) was erotic. However, as a film, it felt a bit lacking. Wife-swapping and cuckold themes have been done to death, so it feels cliché. While it might not fit the typical Tsukamoto style, I wish there was more of a twist with the partners. It doesn't have to be grotesque, but something extreme—like a yakuza couple or homeless men. Watching a wife being taken by a tattooed man or gang-banged by homeless men while the husband watches would be much more stimulating. In that sense, the 76-year-old man paired with Mirei Kyono in this film was a good choice.