HUNVR-193 - VR史上最も近距離密着 おっぱい特化VR！超圧巻のおっぱいアングル！！

*The setting and story development are pretty sloppy, but it's good because it's focused on breasts, the camera is close, it's powerful, and the content is erotic. Especially the cowgirl position had a wonderful sense of realism. The time allocation is neither too long nor too short, and the level of completion is high. I don't usually go into watching Miu Arioka's works, but every now and then I find myself wanting to watch them. Even though she plays a slut, she has a certain grace and is full of feminine softness and kindness, which is very soothing. Mirai Nakamaru has only seen about 5 VR games so far, but she is very cute, charming, and charming. The visual chemistry between these two is also very good, creating a very happy and comfortable space. At the end, I had to rewind a bit because the firing timing was confusing, so I guess I'm giving it 4.8 stars.

Due to the concept of the work, the play proceeds with one woman constantly kneading the other's breasts. There's no missionary or doggy style, only cowgirl and sitting positions. There's also none of that face-licking common in recent VR. The play could easily become monotonous, but I think Arioka-san's acting really shined there. It's probably a polarizing work, but personally, it hit the spot perfectly.

A VR work featuring Riko (in green) and Kana (in pink). It warms my heart to think there are definitely some cool guys out there having wild fantasies about Kana being the one in green. This is my third Masanori-directed work, and I'm convinced: this director is a total anarchist. My first contact was the 'Nursery Teacher' one, where four teachers took turns calling me 'Yuta-kun' in VR. In a medium where immersion is key, using a specific name as the second-person pronoun! I can hear the director saying, 'I don't care about that!' Truly anarchic. By the way, Kana appears in that one too, as 'Hina-sensei.' A bit of trivia for the Arioka clan. The second was 'The Ultra-Close VR No One Has Seen,' which tackled the 'cock positioning' issue head-on. 'Who cares about cock positioning! This angle looks erotic to me!' I can hear him shouting. Anarchic. Finally, the third work. As the title suggests, it's about 'hands,' a hot topic lately. Until now, Masanori-san has stuck his tongue out at critics, but this time, he's been completely won over by the 'hand people.' What does this mean? Is it just consideration, or is there an ulterior motive? Will we see a divide regarding the 'hand issue,' or will one side be weeded out? This is homework for us VR-nists. Regarding VR AV reviews, I'd love to hear the opinions of the top-tier guys in Reiwa-era Japan on the direction this is heading. With Arioka-san's breasts bouncing right in front of me, it felt unnatural to just lie there like a log, so I had no choice but to surrender myself to Miu Arioka.

*As the title suggests, there is almost no reflection of the actor☆5 The director breaks the pattern for the first time in a while. Creativity, supervision◎ An actor can't make a sound, but an actress can ask obscene questions, and the person being rubbed can give obscene answers, making the work even better and different from other works.

I think this is an irresistible VR work for breast fetishists, but it's a shame that it's a bit hard to watch at times. Since there's no male hand involved at all, I'm not sure how to put it... would it be better if a male actor's hands were involved?