
Azusa, unsatisfied in her marriage, is caught masturbating by her father-in-law, Yuzo. He begins to aggressively pursue her, breaking down her resistance with expert touch.








*It's a story about a married woman whose husband is indifferent to sex and who even masturbates out of hunger for it, but when her father-in-law realizes this, she is forced to do it, and even if you wonder why they got into such a relationship at the end, it still doesn't make sense. If you're going to spend 150 minutes, it would be cleaner and more exciting to have the sex-starved wife be turned into a sex slave in the following order: toy torture, strong blowjob, ejaculation in the mouth, and then sex. However, for an actress with this kind of atmosphere, I think it would be fine to have a normal story where she lives happily with her husband. There is also a scene in which the main character rubs his private parts against a pillar while masturbating, but it's not something someone with his facial features or age would do, so I think it's quite eye-catching.
[Actress] There are slight signs of aging on her skin and she's lost some firmness, but she still has that cute, daughter-in-law vibe. Her acting, specifically how she widens her eyes and shifts her gaze, is quite distinctive. [Content] There are two scenes between the daughter-in-law and the father-in-law. The first one feels more like satisfying her pent-up frustration, so thereโs no real sense of being 'violated' by him. The second scene captures that feeling of being violated much better. I liked that the scenes with the husband were kept brief, which provided a nice contrast. [Other] As mentioned in previous reviews, the runtime is quite long, which makes the pacing feel sluggish. Also, given the premise that the daughter-in-law is sexually frustrated, I think it would have been more compelling if the story focused on her becoming addicted to his body after being brought to climax by him repeatedly.
Using an electric massager as the catalyst for a father-in-law to have relations with his daughter-in-law is the third time I've seen this, following Miku Hasegawa and Saki Otsuka. It feels excessive, or perhaps just lazy writing. The scene where the father-in-law forces sex, claiming it's their 'last time,' isn't particularly abnormal either; itโs almost identical to their first encounter, showing a lack of creativity. Given the generous 150-minute runtime, they could have easily cut down on the perfunctory sex scenes between the couple in the first half. I would have preferred to see more of the lingering, drawn-out relationship with the father-in-lawโcapturing the struggle where her body craves him even when her mind resists. In the end, it felt like they just wasted time on Azusa Kirihara's masturbation scenes.