
I bought a young and beautiful OL, Rie, found on a sugar daddy site, and indulged in her freely at my home for a night. Rie's wet clothes, soaked in the rain, revealing her healthy body, is unbearable. She gave me a suspicious look, as if she was looking down on me. It doesn't matter, in fact, that excites me even more. Dirty old man, perverted old man… my desire grows to the point where I'm thought of as that. I forcibly devour the frightened Rie. Then, Rie, who had been resisting, began to let out sweet breaths…




















Others seem to have differing opinions, but I can confidently say this is a series masterpiece alongside Hinatori Hina. It starts with the usual reluctant act, but like in other works, she gradually opens up after starting to eat… and then it's a relentless pounding. The way she keeps seeking pleasure from this old man (like, grandfather-age old) is just pure eroticism… I accidentally cummed watching it.
The quality of play varies so much from work to work. Some have a lot of armpit licking, while others (like this one) barely have any. I bought it expecting something good, but this makes me not want to buy another one.
A disappointing work where the licking and sniffing (face/nose) completely disappeared after a certain actress. Actor Ozawa Toru must have been shocked too. As the title says, I'm not expecting anything from this work. Please, go back to being a raw, documentary-style shoot from back in the day.
I checked it out because Miyagi Rie-san is a rising star lately... As expected, the perversion in the play has faded. Unless they show a level of perversion in the play comparable to past works from a year and a half ago, or even three years ago, it'll be hard to differentiate this from other works. Just listing off plays you can see in other manufacturers' works doesn't add any value to this piece. They've maintained the dense quality of perversion in past works that I thought was excellent, so I hope they follow the quality of those past works. This is a series with plays you can't find in other manufacturers' works, so please make me excited about this actress's appearance. However, it has safe, standard play as an AV, so it's okay as a side dish. Still, it's going to be a familiar play, so my attachment to this work is weak.
To be honest, I wasn't really interested in this series, but I was drawn in by Miyagi-san's stunning physique in the jacket photo – a build that looked like it belonged in a Western nude painting, and her beautiful, sharply defined features. Her face was a bit of a shame, it was a charming, slender-eyed Japanese face, but her body was thick and muscular, truly amazing. The way she wore her bangs gave her a vibe of an older sister from a bygone era, which I also liked. At first, her expressions were dull and her reactions were lackluster, but towards the end, the way she flashed those predatory, sharp eyes right before climax was beautiful. The acting, showing a closeness with the "uncle" that went beyond just words, was good, and while it might not appeal to everyone due to its lack of flashiness, she's a truly captivating woman. This is only the second installment I've fully watched in this series, so I'm not sure if it's always like this, but there's a scene where they talk about the "uncle's" background while eating cake, and it turns out he's a surprisingly wealthy company executive. From that point on, Miyagi-san seems to relax and fully immerse herself in the sex. It's more dramatic than the Asugi-san episode, and I enjoyed being able to see Miyagi-san's emotions, but I wonder what the core fans think? What worries me is that you can hear the director giving line instructions during the scene, and the "uncle" keeps saying things like "I'll double your money" to get "Rie"-chan to extend the time or accept harder play. Prostitution goes against public morals, so you can't publicly claim payment later (Civil Code Article 90), so please, someone advise them not to engage in play before receiving cash. Miyagi-san is a real talent. While she's young, I'd love to see her in dramas playing roles of mature women, or women on the cusp of adulthood, rather than high school girls.