JUQ-447 - A grieving widow, immoral impregnation and rearing. Every night in front of her husband... violated by her father-in-law - Mukai Ai

While it's a plot device, isn't it a bit too much? Ai Mukai, who just lost her husband, is told by her father-in-law that she has no place in the house because she has no children. This isn't the Edo period, you know… Ai, flustered by this, is also a bit much… Doesn't she know the Japanese Constitution…? Her father-in-law proposes, 'Have a child with Ai and your husband!' But again, it's not the Edo period! The melancholic BGM plays, but it ends up being comical… because the setup is just too ridiculous… Ai heads to the room with her late husband's portrait… and her father-in-law is waiting there… She acts like she's made up her mind, but her resistance is too strong. Conversely, she resists, but seems to be feeling too much. She acts like she's made up her mind, but refuses to 'go all the way'. It's just increasing the number of sexual encounters… Is it Ai's fault… or the director's? From the next day on, her father-in-law embraces Ai everywhere in the house, but doesn't 'go all the way'. Her father-in-law's wish was for Ai to 'go all the way' herself. In a crisis situation, I don't think emotions are necessary…? Ai contacts her ex-boyfriend, who she broke up with because of her father-in-law. He was about to get married. What did Ai want from her ex-boyfriend…? Even if she gets something, it'll only be temporary solace… Leaving this house and getting back together with her ex-boyfriend is impossible (even if her ex-boyfriend's heart was with Ai…)... I didn't understand Ai's actions. The final video letter from her late husband also seemed to be just the director's ego wanting to make this kind of film. Was he trying to add depth to the work by showing Ai's reaction as a pregnant woman to her late husband's suffering…? In the end, I think it just showed that everyone in this house is a little crazy.

Mukai in mourning is absolutely insane. 🤤 I want to relentlessly slap and smash her ass, tear her black stockings, and shove a club into Mukai's anus! I want to dig into Mukai's anus until it's ripped to shreds and covered in blood! I want to scat-fuck with Mukai's anus filled with diarrhea! I want to have a scat mixed bath in Mukai's excrement bathtub and soak in Mukai's poop water!

The scene where she reluctantly gives her body to her husband's father for the sake of getting pregnant, suppressing the involuntary sensations despite his reluctance, was really well done. I actually felt more excited after seeing the video her husband left behind. But if the goal is pregnancy, why does she go out? The plot feels a bit broken...

With Aoi Mukai-san in the role of the widow, the initial formal mourning attire, especially the black stockings, is just amazing. Mukai Aoi-san has a long career, so you can say she's already transformed from a fresh-faced young beauty to a mature woman. A slender body that doesn't change even after turning thirty is good, but a plump body like Aoi-san's is also sexy. The subsequent encounters become more everyday, without the stockings, but the changes in her expression when dealing with the step-father add to the sensuality, which is great.

The actor's forcefulness and the actress's resistance are both too bland. From the first r*** scene, she easily gets completely naked and readily follows what she's told. There wasn't any directing that would give you a perverse feeling.