Haruka RukawaI was spending days grieving after losing my husband, Yoshiya, in a sudden traffic accident. After finishing the funeral, I was called by my father-in-law, Tomohiro, and received a proposal. The proposal was that I would become pregnant with my father-in-law's child in order to not end the Abe family lineage. My father-in-law said that it would be fine if I said I was pregnant with Yoshiya's child, to my speechless self. And that night, I decided to get pregnant in front of my husband and headed to my father-in-law's room...
*The role of the widow played by Haruka Rukawa is filled with heart-wrenching sadness from the beginning. Although she is enveloped in a deep sense of loss after suddenly losing her husband, she is at the mercy of her father-in-law Tomohiro's shocking proposal to ``keep the blood of the Abe family alive''. His confusion and conflict are delicately engraved in his facial expressions, the trembling of his voice, and the delicateness of his breathing, so much so that it makes my heart hurt even for those of us who are watching. Although he resists at first, the moment when the threads of reason gradually come undone, the scent of immorality rises from the reactions of Rukawa's small body and the lustrous eyes. The charm of this work is definitely Rukawa's acting ability. In particular, their interaction in mourning clothes perfectly expresses the moment when sadness and desire intertwine, and the moment she flips the switch, her sex appeal is overwhelming. The moment when her father-in-law's hand wraps around her waist and she lets out a small breath, the tension and overwhelming pleasure create a sense of realism that makes her feel as if she is actually there. The flow from careful foreplay with blowjobs, cunnilingus, and fingering to penetration is a charm that can only be found in a long film, and the way she slowly allows herself to fall into a state of decline is so vivid that it easily disturbs the viewer's rationality. On the other hand, there are some disappointing aspects in terms of production. Due to the dark lighting and strong yellow cast, there were scenes where it was difficult to see Rukawa's lustrous body and facial expressions, and there were parts where the charm of her acting was not fully brought out. However, her image of a widow with a sense of immorality stands out, and especially the final moment when she begs to be let inside is a blissful scene in which acting and sensuality are perfectly fused. While the series remains true to its theme of ``pregnancy and rearing,'' Rukawa's uniquely sexy and melancholy acting gives it a depth that goes beyond just a cuckold story. Even if you are not a fan, you cannot take your eyes off the aesthetics of immorality that can be brought out because of the role of a widow, and the glamorous appearance of losing reason and falling. Personally, I think if there were more lewd expressions and lines in everyday scenes, the wave of sensuality would be even more intense. That said, it is a work that can be said to be the best in the series, allowing you to fully enjoy Haruka Rukawa's charm.
He's pressured to have a child because his father-in-law doesn't want the bloodline to end. Haruka initially resists, but eventually begs, "Please come inside," and gets pregnant after two consecutive deep thrustsโฆ You can see her vagina contracting during penetration, and she moans. I liked how the actor was relentlessly persistent and lewd. The involuntary moan of "Oh~ it feels so good~" when the cock goes in is something to envy. The in-and-out action is clearly visible, and overall it was excellent. This one has some serious skill to it.
The role of Izukawa Haruka-san as a widow is really great. The combination of Western-style mourning clothes and black stockings is sexy and good. However, the widow-like aspect is only in the initial seduction, and after that, it's just being repeatedly violated, followed by scenes of her seducing in casual clothes. That initial seduction of the widow is in a dark scene, but it felt like I was secretly watching sex, which was exciting. I'd want to hold Haruka-san, if she were a widow like that.
*Haruka Rukawa is so erotic. It feels like sadness and greed are mixed together, and the moment when your rationality collapses is real. When my father-in-law's hand wrapped around my waist, the little breathing and reaction I felt was so vivid that it gave me a chill. The way she looks disheveled in her mourning clothes gives off a sense of immorality. Along the way, I remembered that a friend of mine tried the ``Gokusu Orgasm'' with a married woman before, and once it worked, she said it became so erotic that she couldn't stop. The moment you turn on the switch you've been holding back is so erotic. That sense of rationality also applies to this work. It feels like it's the type of eroticism where your body reacts on its own, regardless of guilt or sadness. Haruka Rukawa may not be flashy, but I like her sex appeal when she turns on the switch. The look in his eyes and the movement of his hips touch my instincts. The moment I saw the fallen expression at the end, I was completely blown away. It was the type of thing where you get more pleasure from watching the moment it collapses than the story itself.
Hmm... I kinda preferred a more aggressive approach like Ata's. Like, relentlessly pounding from the start... Just the ending feels a bit weak. But the actress had a really great vibe, though.
