Ririko KinositaAn internal call from the human resources department informs them that Zuoji, a new employee who was absent without permission, has quit the company using a resignation agency. I was wondering why young people these days can't even say they want to retire, but I received a document that said ``Resignation notification in progress.'' When I opened the envelope in frustration, there was another piece of paper inside besides the ``Notice of Retirement,'' and I saw the words ``Your wife was the best'' scrawled on it. Thinking of my colleague, my wife, who had not yet returned from work, I impulsively rushed out of the office, but...
Rinrinko is a fantastic actress who can create the atmosphere of a work with her diverse expressions. The way her chest flushes red during the climax is incredibly sexy. Definitely a keeper!
A truly beautiful mature woman. Her figure... honestly a bit disappointing, but it's definitely improved from before. Her long hair is also beautiful. Stories about getting revenge on a terrible boss and ruining their family are common, but the fact that this kind of thing resonates probably reflects the current social climate... I guess you could call it socially conscious AV. Being relentlessly pounded from behind, letting out animalistic moans while her face and chest flush... it's hot. It's easy to see why there are so many works like this. This is a masterpiece, I'll say.
The consistently mediocre lighting was a bit of a letdown. I get they were going for atmosphere, but it felt wasted.
I was drawn in by the title and had high expectations, but it was a bit disappointing. The story didn't seem to capture the actress's emotional changes very well. The actress is attractive, but it's a shame that didn't come across. I hope the next installment lives up to expectations.
There are no misses when it comes to Ririko Kikuta's NTR works. I thoroughly enjoyed the two and a half hours this time, so I'm giving it a 4-star rating. I didn't give it 5 stars because Ririko's psychological portrayal felt rough. It was hard to tell if she was resisting, accepting the 'saji' (the male lead), or completely giving in. There were long stretches where it just seemed like she was "just secretly getting involved," lacking nuance. Perhaps a few lines of dialogue, expressions, or even having her willingly go to a love hotel or the saji's house could have better depicted Ririko's feelings. Also, while I appreciate the actors' dedication to quality, scenes that feel like filler – like a debate over whether yakitori should be glazed with tare sauce or seasoned with salt – shouldn't be included just to pad the runtime. It detracts from an otherwise excellent Ririko Kikuta work. I'm looking forward to her next release. Thank you.
