JUR-263 - Dropping fluids, instinctual sex. Realizing she was utterly a 'female' by her husband's boss - 7 days of implantation intercourse. Miyashita Hana

The return of a long-admired boss. The acting portraying the forbidden feeling and falling for her boss was good. I think it was good how the kisses became more intense along with the changes in emotion.

I'd seen her as a kindergarten teacher during her previous active period, and I bought this after her comeback, and it wasn't bad. The suddenness of her having sex so easily at the office was a bit jarring, even for an AV. But the sex scenes afterwards were surprisingly good. She has a slim, tanned body, and her breasts are firm and small – really beautiful. Her fellatio skills are excellent, and the moans and expressions of pleasure during the sex scenes were great. A masterpiece. Seriously, a top-tier work!

Miyashita Kana's first drama after her hiatus. Not only does she not show any signs of a break, but her dramatic acting is even better than before, and her sporty physique is also well-shown. The lighting that brings out the tan of her skin seems quite important. If you say it's a work prepared for the actress's rehabilitation, there's not much more to say, but the drama itself is somewhat ambiguous. The first real shoot wasn't outdoors, nor does it have the provocative atmosphere the title suggests. The ending is sex at home, but it doesn't emphasize sex at the office, and there aren't any particularly near-miss scenes, including silent ones. The work lacks a clear focus and feels halfway there. It starts with a passionate kiss, but the final sex scene ends with doggy style deep penetration without a kiss, and the wall calendar is March while the desk calendar is September – the emphasis on this is also inexplicable. However, the deep penetration in the middle sex scene captures both Shida's insemination and Miyashita Kana's conception well, and the way she arches her back and moans when the cock is inserted from behind in the later sex scene is also a high level of acting. Unfortunately, you won't see hardcore iramatio that reaches the back of the throat in this work, but the scenes without fellatio properly depict abortion, and there are many good performances that make you look forward to future works. The husband-catching ending was halfway there, and there wasn't much that resonated with the drama itself, but it was a good work as a sample of Miyashita Kana's acting after her return.