JUR-278 - Wanting my wife to acknowledge it, I left my wife and an excellent junior colleague alone for 3 hours... without stopping, pursuing and with 16 insertions, my NTR story of having my wife taken from me. Niwa Saai.

So cute and busty! This is a continuous pounding scene featuring Sāya. Highly recommended for breast lovers. Sāya's anime-like moans, her wildly bouncing chest, and those smooth pussy lips are worth the watch alone! And don't forget the highlight of this work – the continuous pounding! Sāya getting plowed over and over... it's just insane!!

The first Inabaru-directed work, the Shimobu Kana version, was so high quality that the next work felt inferior, but this time, the acting of Niwa Sāya, a second-year actress, was decent. The setting of a couple with a large age gap, with an older husband, is something you wouldn't have seen in the Kimura era, when they only used regulars, and it's unique in itself. The couple's talk about getting pregnant feels a bit like a business transaction, not as good as the Shimobu Kana version, but the dynamic of a young wife who dislikes getting pregnant with an old husband is easy to understand. The directing of the housewife's outfit becoming more erotic when welcoming the husband's subordinate is back, and the flow of the mood building from exploratory talk is also good. The actress is also skilled at portraying the housewife's hidden expectations. The reaction of orgasming as soon as the dick goes in is good, but the range of expressions in the foreplay isn't as wide as a veteran's, and the climax during continuous pounding is a bit disappointing. However, the gaps are filled by the excellent lewd commentary from actor Yoshino. He adds information that can't be conveyed through pictures, like how the pussy is squeezing the dick to extract sperm, raising the level of completion of the foreplay. He also adds plenty of impregnation teasing, finishing it off as a massive pounding sex with so much sperm it might even lead to pregnancy – a true veteran performance. The delay of not moving until the housewife asks is also a good touch, and the focus on kissing is a unique aspect of this work. The re-visit fellatio scene could have used more obvious eroticism in the outfit, and I preferred the Shimobu Kana version, where beer was switched to non-alcoholic before the second round to avoid affecting the sex god. The mid-sex scene with the obvious hidden camera feels a bit fake, but the foreplay that emphasizes communication, including kissing to create continuous pounding, is good. The mini striptease scene before the final round is well-timed with the awkwardness of being forced to say embarrassing things, but the actual scene is powerful and visually satisfying, yet somewhat ordinary. Yoshino's lewd commentary is also running low, and it doesn't quite reach the level of the Shimobu Kana version, which had plenty of impregnation teasing and the housewife pushing the sperm deep inside herself. The ending, featuring a picture of the husband instead of the actress, is the worst of the three works, and the fact that the climax, the second half, is mediocre prevents it from being perfect. The next work will be directed by Kimura, but I'd like to see the Inabaru version continue to evolve and deepen.

A woman becomes the 28th to experience a fake marriage, and Niwa Sāya falls for continuous pounding. This work is also directed by Inabaru, and follows a familiar pattern where the husband's subordinate is a sex god, revealing Sāya's true nature. The husband's hidden camera catches her conveniently moving in front of the camera, taking on various positions, and confessing to playing around before and after the marriage. This series is also packed with explicit scenes, and I hope to see Ichino Aoi, Ryukawa Haruka, Okamiya Nami, newcomer Shinohara Iyo, and new wife Yūka, and Misaki Hikari experience the baptism of continuous pounding.