
Hostess work became the center of my life, and more than 7 years have passed. The trigger was my husband embezzling company money and getting fired, leaving me no choice but to enter the nightlife. I can't drink alcohol well, and I'm not good at flattering men... I've rejected all sexual services. Even so, I managed to open my own shop. I finished paying off my husband's debt, and I thought I could walk my own life from now on, but one day, a debt collector appeared before my eyes. My husband was addicted to gambling again. The only way for me to pay off my husband's debt was to 'abandon my principles'...










I was really hoping for something as good as the previous installment with Shinohara, but this one fell a bit flat. Shinohara had this muscular, strong physique that didn't quite fit the experienced woman role, which made the sex scenes incredibly exciting. Yumi, on the other hand, is *too* good at playing a hostess. I honestly think she shines brightest as a quiet housewife or a dedicated office worker. I'd love to see Nagae-kantoku make a film showcasing that side of her. I agree with the comments saying the opening and closing narration are unnecessary. The 'no pillow talk' policy should be shown through dialogue, and the ending narration just undermines the whole drama. And let's be real, sleeping with Uchimura-san (and apparently others) for money isn't pillow talk, it's just straight-up prostitution. Paying 3 million yen for it, and having it happen *inside* the club feels cheap. The dialogue is predictable, the relationship between Uchimura and the madam feels superficial, and Nagae-kantoku seems to have lost interest in making a compelling drama. He clearly has the ability, but it feels like he's given up on trying to add depth because he doesn't think the audience will appreciate it. Because the drama is so bland, the interactions feel watered down. I wonder if Yumi herself didn't know how to approach each sex scene. For example, what if Yumi agrees to spend a night with Uchimura for money, intending to put on a show and pretend to enjoy it, only to be completely blown away by his skills and end up falling for him? She leaves her husband, becomes his mistress, gets dumped by him, loses the club, and ends up as the mistress of Kami, a subordinate of Abe… That's the kind of story I'd want to see.
*Ryo Aiyumi is set as a hostess (mother) at a high class bar, and her mature womanly dignity suits her perfectly. In order to pay off her husband's debts, she offers her body to a fat customer, a debt collector, and other yakuza. The sex scene is so sexy that you can enjoy her lewd behavior.
Isedon Uchimura… with Master Shimiken's retirement, he's really come into his own as an actor, gaining a sense of presence and gravitas. Personally, I don't need the narration at the beginning or in between scenes in this series. Ai Yumi's acting and dialogue are flawless, but the narration feels robotic and just doesn't land. In Shinohara Iyo's film, "Abe-chan" Abe Tomohiro, who played the high roller, was a yakuza. Ai Yumi, like Kawakami Yuu and Tomita Maki in their prime, seems to be doing more and more SM and bondage scenes lately. It just feels like the potential of "Ai Yumi" isn't being fully realized. As a madam, she doesn't measure up to Shinohara Iyo from the previous film, so I'm giving it 3 stars.
*Ryo Aiyumi becomes the fifth hostess to repay her debt and starts a pillow business. She sells her body so her husband can borrow money and pay for it. After closing the store, she gives a blow job to a wealthy young company president who borrows money from her, then opens her kimono and has sex! In exchange for interest, I have sex with my debt collector's brother in my bed at home! While I was at work, a fat customer gave me a cunnilingus in the toilet of a store, gave me a blow job, and ejaculated my tongue! 3P at a hotel with a debt collector's big dick younger brother! The big customer said, ``It's going to break! It's my first time being this hard,'' she gasped. I kept shouting ``It's going to break'' to my subordinates and writhing in agony, saying ``It's so big!'' But he didn't say anything to his brother! She looked so beautiful in a kimono, so if she had to hurry up and ejaculate in the restroom, it would have been better if she had been served by a regular customer with her hem rolled up and creampied standing up (apparently called a peacock) and semen dripping from her pussy. In the scene in the beginning when Ryo Aiyu approaches her husband over debt, she gets really angry and slaps her husband, which was a powerful and worth-watching performance. Above all, she is beautiful, erotic, and has thick pussy hair, so I want her to get wet in ``Uncle's Reverse PtoM,'' to go on a solo trip and have sex with a young man in ``Yukizuri's Creampie Hot Spring Copulation,'' and to have sex with a young man 5 times a week in ``Sex with My Wife 3 Days a Week.'' Since the director has changed, the actors have changed every time, and the development is excellent, and even though the costumes are focused on kimonos and dresses, it's an ambitious work that gets dirty with sex.I have high expectations because it looks like Fuji Kanna was filmed in September wearing three kimonos, and there are many beautiful witch exclusives such as Maki Hojo, who would look like a mom at a high-class club, Aoi Kachino, and Ayano Kato, so I hope the series continues.
The fifth installment in the series. She fits the role better than anyone before. The kimono look is just oozing with class and sexiness. She'd kill it as a dominant wife. That said, the erotic scenes were incredibly raw. The way she looks up is just… wow.