
【Ugh! Ah! Break me more...!】【Repeated intercourse with the father-in-law's machine piston continuing even after climax!】Ishihara couple, enjoying a happy married life but incompatible at night. Kino's frustration only grows…. Meanwhile, the father-in-law, still active, passionately loves his mother-in-law every day. Kino, unable to bear the precise tempo of the piston sounds resonating in her womb every night, attempts a reverse night encounter with her father-in-law one day. The bewildered father-in-law also succumbs to Kino's temptation and delivers a genuine piston! Continuously driven to ecstasy by the flawlessly accurate piston…










I always liked her slightly chubby, healthy figure, but did she diet? She's gotten pretty slim, and it feels like her beautiful, natural breasts have gotten smaller…
Hope-san's acting is always fantastic. The insertion is fantasy, but if I had to pick something, I really like how she transforms from a young wife to a seductive one. It's truly amazing.
I gave it 5 stars. The pre-scene of the step-father and step-mother's H scene (just a fleeting moment) feels too intense and strange. It doesn't seem like such a forceful piston, so why does the step-mother feel so much? I wish it would have been directed to spark curiosity. Also, the development where the step-mother runs away because she can't handle the daily H pace, and then… isn't bad, but I think there could be a setting where the older sister and younger sister are involved, with the older sister seducing the younger sister, or asking the younger sister to help her husband release his sexual frustration. That would be a reverse 3P. If the younger sister has a boyfriend, a 4P might also be possible. However, currently, Ishihara Kibou-san is the only one who can consistently practice non-stop piston, and there doesn't seem to be anyone who can succeed her, which is a problem. The H itself is a drama, so even though the result is predetermined, I think the reactions were quite genuine. It would have been luxurious to use a metronome and timer together. It would have been better if it had clearly stated, like in the documentary from a year ago, that the piston would not stop during the set time. Rather, I'd like to cast Yagi Nana and ask her to do "I tried to film 'Me, hopelessly addicted to my step-father's endless, consistent piston,' but I fainted so many times that it just became a documentary."
It's like Tamaike Gorou's "Still actively screwing my mom, my horny wife desires me, aiming for a dangerous day for reverse night● insertion" series. It's been rearranged with settings like the wife wanting a child but agreeing to use condoms until they buy a house, or the mother-in-law disliking sex with her husband. The cosplay feel of the drama scene where she prepares in the morning in her pajamas is a nice touch, but the sloppy detail of the father-in-law not wearing a wedding ring is typical of Kitoru Kawaguchi's work. The premise is that the wife, a former student, has always loved and respected her musician father-in-law, and that his rhythm during conducting or sex is enough. However, casting Pierre Ken as the actor in this script is a complete miscast. He just clumsily shoves his 찌● into the scene with the mother-in-law, and he's not the type to express the sophisticated act of making a woman climax with just tempo. I think there were other actors who could have created a more nuanced and rhythmic exchange. Honestly, it's a bit pathetic that the rhythm of the metronome in the drama scene is more stimulating. The initial doggy-style insertion followed by the man bringing his 뭬● covered in semen to her ㅂㅈ was a better execution than the original, but the final insertion being entirely passive is a letdown. Ideally, the wife, who actually wants the teacher's child instead of her husband's, would be craving deep insemination into her uterus, with a finish in doggy-style or a hold. I personally dislike the final scene of abdominal wrap sex; it looks tacky. If you're going for a cosplay arrangement, it would have been better to just have her in a no-pants, no-bra pajama set, building off the opening scene of her getting ready in the morning. The script, about making a woman climax with a rhythm that resonates in her uterus, is ambitious and sophisticated, but the direction and dialogue are mediocre. The rearranged style of the old work is unique and interesting, so I hope they re-examine the casting and direction and try again.
This one's a reverse harem… so, a cheating wife story. You can't go wrong with Ishihara-san in a cheating wife role. But this wasn't just a simple cheating wife story. The step-father is a former conductor, so it's like the cheating wife is dominating him, but also like the teacher is dominating her… a strangely reversed dynamic. It's a sex scene like Hungarian Dance No. 6. I thought the director was Brahms, but it turned out to be Kitorune Kawaguchi. As expected, Kitorune. The step-father is a skinhead musician, so I initially thought it was Kudo Shinzo. Having the talent to create masterpieces and being desired by this beautiful young wife, Ishihara-san… it makes you feel jealous, and your body heats up. A summer state. But this work had a perfect long fortissimo piston, and an andante piston. Kudo Shinzo controls the atmosphere. It feels like this brilliant setting is being further elevated… is the director in a long-term relationship with him, or Kudo Shinzo himself? Could it be… Just in case, I checked again to see if the director was Miyazaki Hayao, but it was Kitorune Kawaguchi. Crazy. During the conducting lesson, the line "Please teach me other things too" is the number one erotic line you'd want a teacher to say. Ishihara-san, what kind of word choice is that? Ishihara-san usually has a confident, dominating vibe, but in this work, she seems lacking in confidence. It's either amazing acting or genuinely erotic. In the end, did she have sex knowing she might be caught by her wife, or is it a flashback to a summer fling? I want to go to that summer too. Take my name, I don't care. Hire me here!