
The Honjo couple lives in a high-end residential area. One day, they receive a call from the father-in-law asking them to look after the husband's younger brother who just got fired. They welcome him, but something feels off. Once the husband leaves for work, the brother-in-law finally makes his move on his sister-in-law.




















The first time I saw Hitomi's work was in 'Widow's First Adultery: Anal Humiliation,' and I couldn't stand her raspy voice and acting when reading lines. But I guess she got used to it after a few films, as her voice has become much easier to listen to. She has a 'noble' look, and even when wearing outfits, lingerie, or a collar that suits her calm and classy demeanor, she still looks elegant. As for the film, the scenes in the dining room with her stepbrother and the final office scene with the employees were good. However, whether it was meant as an interval or just to fill time, the remote-controlled vibrator torture in the office, the forced masturbation at home, and the hallway bullying scene felt incredibly half-baked. The hallway scene, in particularโI get what they were going for, but using canned laughter from a TV as a sound effect felt completely out of place. It would have been much cleaner and less stressful for the viewer if they had extended the vibrator torture and cut the other two scenes to make it a three-part structure.
The monotonous moaning makes it feel way too much like 'acting.' If you're going to portray a forbidden relationship like a sister-in-law, you should start with more restrained moaning. The second half follows a clichรฉ pattern, but is that even necessary for this kind of plot? The script is just too shallow.