MSFH-066 - 3 Days of Forbidden Passion with My Childhood Sweetheart While My Girlfriend Is Away

*When I saw a sample photo showing her profile, I thought she looked like T-ana, the popular announcer on F TV, and I couldn't stand it, so I bought it right away. Even in the video, I didn't see much resemblance from the front, but I think they do look similar from the side. I bought it just for that reason, but the content was quite deep. Two childhood friends meet by chance, and while the man's girlfriend is away, he invites her to his house for three days, and for three days they intensely pursue each other, and the way they go wild is erotic and wonderful. I wonder if Konomi Yoshinaga looks a little chubby when she wears clothes. But when she takes off her clothes, she has a nice body and a beautiful face, and I think I've found a good actress.

*I like the beauty and style of this girl, ``Konomi.'' Sensitivity and technique are, of course, also a matter of taste. The quality of the cleaning from the real ass cumshot and the real facial cumshot is also excellent. It was much better than the fake creampie stuff ◎

*A masterpiece that makes you want to revisit it from time to time, no matter how many years have passed. Konomi's charm (sex appeal, fragility, kindness) is overflowing, and her acting and play are impeccable. The actor's character design is natural, and the scene is well balanced with Konomi, and the acting and play are both good, so no matter how many times I watch it, I can easily get into the work. Konomi Usani-Kaku is amazing. She has long limbs that look great in the video, a body with just the right amount of flesh that is very appealing, and breasts that seem to be comfortable to rub and that are unbearable to shake during play. A beautiful face that changes both intellectually and sensually. The biggest charm is her natural ability to show off erotic play to the fullest, even without hard work or unnecessary production (e.g. creampie, multiple play, rape). With a simple plot like this one, Konomi's charm is brought out well, making it a masterpiece that will simply captivate you. The two childhood friends meet again on Konomi's business trip. I went to the man's house to get some more drinks. Konomi saw women's shoes and umbrellas and said, ``If you live with a woman, let me know.'' Although the conversation only lasts a few seconds, just having this kind of description makes the characters feel much more realistic. The feeling of being childhood friends comes out naturally when they decide to stay over and in their casual conversations during the game, and the sense of dialogue is excellent. They line up their pillows on the bed and ask, ``Do you remember when I said we'd get married?'' The man says, ``I don't remember,'' and remains silent, and says, ``I lied, I remember too,'' and their feelings for each other overflow. He leans in, leans his shoulders, leans his face, and kisses her. During this few tens of seconds, the space becomes irresistibly beautiful. The sound of the kiss and Konomi's flushed face alone are an excellent visual expression that can surpass tens of thousands of words. There were three major plays after that. From feeling good to each other, to feeling good to each other, to devouring each other. The next night, from the entrance (slightly dark) to the bath. The next morning I was exhausted in bed. After learning that she was coming back from her parents' house, he says, ``I didn't want to see Konomi sad, so we had sex over and over again,'' and a short play video from the kitchen to the sofa. I wonder if this line is a man's selfishness. The final play, which follows the exchange between the man who says he wants to live with her and Konomi who is about to go home, is full of highlights, but it's even more special when you watch it while thinking about the feelings of Konomi, who was gone when she woke up. I don't know why she left. It's not drawn or hinted at, but that's good. A refreshing ending that is possible because Konomi is able to create a lingering aftertaste and space.

*Recently, AV is moving in an extreme direction, including aphrodisiacs, orgies, and creampie. I understand that. However, what is needed is eroticism. Even if it's an extreme movie, there are many works that can be turned off just by the actress screaming. Among them, Konomi Yoshinaga is simply erotic. Sex scenes are good in any work. I would like to see more works that bring out her erotic side.

*Konomi's recent works are full of lewd and slutty works and are boring. It was clear that the makers were lacking in ideas, and I felt that they were lowering the quality of the actress. However, I don't know if this is Konomi's wish, but it is a very refreshing work. After a chance reunion with a childhood friend, they end up having sex, but the conversation during the sex is also very similar to that of a childhood friend, and it unfolds as if children were playing with each other. When the passionate extreme sex unfolds, it becomes the same as in the previous works, but Konomi's lines, such as smiling and asking things like ``Does it feel good?'' and ``Do you think you're going to cum?'' were really nice. Will he ejaculate in his mouth, ejaculate during a hand job, and ejaculate on his childhood friend's face? That's what I thought, but considering the development of the story and the flow of the sex between the two, it wasn't unnatural and the finish was understandable. If I were to order anything, Konomi was depicted quite actively in the scene where she reunites with her childhood friend, but the scene in which she feels lonely without a boyfriend and comforts herself alone in a hotel room on a business trip would have been even more erotic and convincing. I hope Konomi continues to create works that emphasize her appearance as an office lady. While her fiance is in the same department due to an office romance, she ends up having an affair with her ex-boyfriend who was transferred to the same department, and although she regrets being unfaithful, she falls for his ex-boyfriend's technique. Rape works where the office lady's suit is violently removed. I look forward to seeing such works. We don't need lewd works without a story anymore.