
Ms.SODから華麗なる転身!元丸の内OL吉永このみがSODstar人気企画に挑む!湯しずくと体液に濡れた、最高にスケベでイイ女をヤリたい放題ハメまくる。身体を貫く肉棒と容赦なく膣に注がれる熱い精子に理性崩壊、限界突破イキ!絶頂しながらはしたなく潮を吹きだす!シリーズ史上最高の激しさ淫乱さ、必見!















Konomi-chan has always been known for her beauty, but since her transfer, her erotic appeal has really stepped up, which is great. The mosaic is a bit of a shame, but her exceptional sexiness more than makes up for it.
I'm personally hooked on the hot spring trip series. This actress also gets pushed until her face is a mess and she's completely drained. High satisfaction.
Congratulations to Konomi Yoshinaga on her move to SODstar! And for her first project to be the 'Submissive Hot Spring Trip' series, which is quite a hurdle for any actress! The highlight was the classic command in this series: making her admit her anus is 'the hole where poop comes out.' Seeing her big butt and hole while being forced to say that was unbearable. I couldn't stop getting excited as she confessed that poop comes out of that big butt herself. I know there are negative opinions about Director Akai's instructions and voice, but that's just a matter of taste. This series wouldn't be the same without that style. Please, keep this up and make her say plenty of shameful 'poop remarks' at SODstar!
*The compliant hot spring trip series is powered down to a fantasy fake creampie. I can't help but be appalled at the stupidity of using Konomi Yoshinaga.
This series follows a flow: going to a hot spring inn, explaining the concept, the director uses humiliation to break them in, the male actor performs in the hot spring, they show a different side of the actress in a separate room with restraints or oil, then in the guest room they have old-school body sushi and 'wakame sake,' followed by multiple-partner play like carrying her and squirting. Except for the final multiple-partner scene, the director constantly taunts the actress (even while the male actor is performing), and whether that vocabulary fits the actress's type or aptitude is key. In Yoshinaga-san's case, it didn't quite click (it worked for the previous actress, Honjo-san), and taunts that don't fit are the biggest distraction for viewers trying to focus on the performance. If the male actor were doing the taunting, it would reflect the mood, but since it comes from someone not involved, if it's off, it stays off—a recurring flaw in this series' template. In terms of aptitude, the humiliation play didn't match Yoshinaga-san either. Despite this mismatch, the performance itself was decent thanks to Yoshinaga-san's effort, but her physique isn't suited for oil play, and the oil diminishes the 'clean eroticism' (it's clear if you compare with and without oil). The multiple-partner play is fine, but while 'wakame sake' is one thing, the body sushi is just... I'm not against body sushi (it can be artistic if done right), but in this series, they just use the body as a plate, so it's more like 'body-topping,' losing the point of body sushi. Another template flaw. It feels uneasy from the first release after the label transfer. Is it just my imagination, or is it a cheap move to put her in another label's work before her exclusive contract ends, rather than seeing potential in 'Konomi Yoshinaga'? Regardless, I look forward to her future works.