MVG-065 - Village of Sacrifice Hamazaki Mao

I was questioning what was going on for the first 38 minutes, but from 38 to 54 minutes, Mao-san was absolutely incredible. As expected, the mangled shot was art... But while you could see the effort put into shooting outdoors even with umbrellas, it was a shame they mixed in scenes that weren't really important. It felt like it focused more on Mao-san's presence than the content itself. Not sure if it's worth keeping.

The direction was cliché, but Hamazaki Mao's overwhelming physique and acting skills more than made up for it. Two bob characters quickly exit, and as soon as Hamazaki Mao appears, she's stripped naked. Her confused and frightened expressions at that moment are truly artistic. Even while being tied up, she writhes and flaunts her glamorous figure, clearly knowing how to showcase her appeal. The scene where her nipples are covered in saliva and her navel is licked sends me over the edge. Then, a love potion scene is inserted, followed by a transformation into a lustful beast, splashing wildly while craving a cock. Her wild movements, shaking her erotic, large breasts, are incredibly satisfying. Honestly, the direction was terrible, but it's a work that somehow managed to be covered by the actress's potential. And I'm amazed by Hamazaki Mao's professionalism in maintaining this body even in her thirties.

Hamazaki-san has a really great body, as expected. Her reactions were a little over the top, but the shape of her breasts, the exposure while tied up, and the way her chest moved when she tried to escape… it's all good.

It didn't have much tension, but it was a good work showing off Hamasaki Mao's body in the outdoors. It was worth watching.

*[Summary] The explanation of the subtitles included in the 20 sample images is almost sufficient. *Poor performance both as a ritual and as an AV performance. [Chapter composition] (1) Traveling girls and a suspicious village (15 and a half minutes) Sample images 1-3 (2) Abduction and confinement bondage SEX (39 minutes) sample images 4-8 (3) Drugged and continuously tortured (20 minutes) Sample images 9-12 (4) Rape rape in the sacrificial ritual (35 minutes and a half) Sample images 13-20 [Problem] ◆There are too many contradictions between the origin of this work, in which the footage left on the SD card of a broken video camera found somewhere was of a trio of missing traveling girls, and the footage in the main story. The footage they actually filmed was only the very beginning, after which it appears that a fourth transparent attendant took the footage. *It would have been nice if there had been an explanation that the incident was recreated into a drama based on the footage left on the SD card. ◆All of the prop masks used in rituals, such as Hannya, Tengu, and animal spirits, are too new to fit the image described as an ancient Japanese custom. Maybe it was a borrowed prop, and they didn't put any stains on it to make it look old? ◆The percussion instruments used in sacrificial ceremonies are inappropriate, and their appearance and performance are far from the traditional Japanese image. The sacrificial ritual in the story can only be called trite. The main part of the ritual is 4P sex, but it's not as enjoyable as a normal AV work. [Additional information] ◆The drugged rape scene in sample image 10 (top left) does not exist in the story. At the beginning of (2), two other men were attacked by the men before Mao, but the scene changed when they were stripped naked. After that, it became a bondage rape scene with Mao in a separate room. In (3), the two are already so beaten up that they are no longer useful, and Mao is forced to gulp down the secret medicine for the first time. ◆In sample image 13 (top right), the drum player wearing an Otafuku mask appears only at the beginning of the ceremony, and disappears once the performance is over. A man with a tengu mask presides over the ritual, and two men with a white fox mask and a black fox mask assist, and the three of them continue to torture the sacrificial woman in 4P. ◆Sample image 13 (lower right) The person holding an umbrella from both sides to protect the sacrificial woman in the center of the screen from the rain is Tetsushin, the bondage master on the left, and Meguro, the youngest man on the right. Neither of them participates in any sexual acts in the story. *Two men holding umbrellas can be seen in the corner of the screen from the beginning to the end of the ritual, but this has nothing to do with the content of the ritual or sexual act and is merely an eyesore for the viewer. I guess it can't be helped since the shoot will be held rain or shine due to budget and schedule constraints.