NKKD-006 - NTR/Cuckold

*A story about a married woman who is raped by her husband's boss and colleagues. The scene where she gives double blowjobs to the cocks of her boss and colleague in the office was great. When her husband isn't around (actually, he's looking in), she gets down on her knees in the office, exposes her big breasts, and serves the cocks of her boss and co-workers... She's a poor but shameless wife. The scene where she has a threesome at home in front of her husband is also good, and you can't help but empathize with the protagonist, who is surrounded by his wife, boss, and co-workers.

*My impression is that it wasn't as disgusting as I emphasized. I guess that's what he thought because it seemed like his wife still had some sense of reason left in her. I liked the story of the wife enduring the unreasonable actions of her boss. I was especially excited by the fact that even though she felt better, she still felt guilty towards her husband, and it seemed like she was struggling between these two feelings.

Maybe I was drawn in by the word 'fleshlight' in the title and expected a total corruption arc. I wanted them to express more disgust toward the power-tripping executive. I wish they had shown the sexual harassment scenes and Moa Hoshizora's psychological changes in more detail. (If it was meant to be a total corruption story.) If she's not going to be fully corrupted, I wish there was more of a gap (like in the sex scenes). The pacing feels too fast, so they need some kind of bridge between scenes. Ideally, those moments should express her disgust or internal shifts. That's about the extent of my overall disappointment. Moa Hoshizora was good, though. It feels like she could use a bit more acting direction.

First of all, the subtitles are way too big. We don't need close-ups of the actor's face. I wish they'd watch other videos and study a bit more before making these. It's a shame because the actress and actor are working hard.

Even within the "Caution: Disgusting" series, which is usually full of masterpieces, this one isn't very well-made. It misses the mark so much that I wonder if it's a different director.