
Construction begins right next to the couple's apartment. The meddlesome wife, Hotaru, keeps bringing snacks to the workers, and while her husband is away on a business trip, she gets way too close to them. After joining their post-work party and getting drunk, she ends up being passed around by all the workers.




















*He brought gifts to a construction launch, where he got drunk and got fucked. It's good, but it's better to be forced into unconsciousness than to be unconscious, so I think it would have been better if it was played in the second half.
*I have all of the submitted true story series that my wife was turned around on disk. Personally, my favorites are Nanako Yoshioka from the first film, Kaori Saejima from the fourth, and this film. I have a wife who is a bit of an intrusive person and is close to me. She's not a beautiful woman, but she has a great body. Mori Hotaru was a hit. The sight of him being drunk and being fucked in a slightly dark and humid atmosphere is naughty. The second round ● was also good. I'd like to see her in this role, a married woman who is full of sexual desire and takes care of the neighborhood delinquents. The 10th work, the neighborhood association, and the special edition in which Yu Kawakami returns home are also masterpieces. Now that we can't expect much from the jewel series, Nagae's works are the only new releases I'm looking forward to. However, the problem with Nagae's works is that you cannot fast-forward them on DVD. . *Just my environment? Maybe.
Hotaru's body is overflowing with erotic charm. The two gangbang scenes were truly erotic.
There's something undeniably hot about videos where multiple guys strip, grope, touch, lick, and penetrate her. There wasn't any unprotected internal ejaculation this time, but the scene where they all swarm her to strip her down was definitely the highlight.
There was no erotic kissing until the end... I wanted to see her fall into it—reaching the climax, kissing on her own, riding on her own, thrusting on her own—but she just kept acting reluctant until the end. Even when it felt like an affair, the kissing was just tongue-touching with no real eroticism. Where did the spirit of director Henry Tsukamoto go?