
Mihana feels suffocated in her marriage with a husband she doesn't feel love from. In the meantime, she meets her former visiting host brother-in-law and is drawn to his charm. A kiss exchanged out of curiosity triggers her, and she becomes addicted to her brother-in-law, unable to resist the pleasure she once tasted...




















*This work is an explosive masterpiece by Master Ozawa. The actress's skill is average, but her gentle acting that doesn't overdo it leaves a good impression. It's not flashy, but it's oxidized silver. Perhaps it's just the direction, or maybe it's because the theme of the relationship between the two has been decided, but everything else except for Berochu is bland, which is a bit unsatisfactory. Also, in the story setting, there is a poisonous husband who leaves a very bad impression, so be careful. I wish they had done a story about the success and failure of a toxic husband. As a work, it's pretty well put together, and I recommend it to those who like Berochu. It's not quite enough for those looking for a deep and intense torture, but it's a good work that can be enjoyed as an AV drama.
Sumikawa's appeal finally shines in this masterpiece. I watched four of her works, including Madonna's "Sex with Husband to Make a Baby~," and was drawn to her soft body and sensual breathing. While none were bad, the roles often felt distant from the real Sumikawa, or she was portrayed as a one-sided victim of male desire. I felt she wasn't fully utilized. This work, however, gives her a fitting role and loving sex that makes her truly shine. I always want to describe Sumikawa as "refined but plain," but the scene after their first time, where she gazes into the distance with teary eyes, is simply beautiful. The passion is incredible too – her flawless skin turning pink, screaming, and sometimes losing her train of thought. It feels more real than anything I've seen before. The contrast with her elegant demeanor in everyday life is also a plus. Few people can pull off a sad expression as well as she does. She's a captivating woman, and it's no wonder her brother-in-law falls for her. Because Sumikawa is a skilled actress, I think she needs to be in properly made dramas like "Nagae style" or Attackers to really showcase her talent. Personally, I'd love to see her in something like "Widow – Sad Pregnancy Announcement." I'm not a fan of Nagae's "kissing" scenes, as the actual "kissing" feels too forced. Even Mizuumi Asami's highly-rated episode felt unrealistic, forcing a 60-year-old Ozawa to play an animalistic man. But Ozawa in this film feels perfectly cast, playing a version of himself. I'd even like to see a series about a former host and chef who appears before women struggling in their relationships, healing them with sex and then leaving. If I had to nitpick, Sumikawa's logical monologues, a Nagae tradition, feel a bit dated. And her calves could be a little thicker and more muscular to add a touch of realism and even more eroticism, but that's just being greedy.
The trailer convinced me it was going to be a masterpiece, and it delivered. Sumikawa Miku's charm was perfectly captured. I checked out some of her other work because I was intrigued, but none of them were as captivating as this one. It's a testament to the director's eye for talent. Miku has a unique, slightly old-fashioned face, a beautiful figure, and a voice that fits the style perfectly. Her line delivery, including the monologues, was spot on. I also appreciated the improvements in the quality of the house and the cooking compared to her previous works. I watched it almost without fast-forwarding. And, another of Miku's strengths is her large and beautiful breasts, isn't it? In future appearances, I'd like to see the male actor focus more on her breasts, whether she's wearing something or not, and get lost in fantasies. Or maybe even have her wear an open bra during actual play, or have her breasts (personally, I'd prefer something other than ropes) tied up in a way that treats them like objects, which somehow excites the woman even more.
This is my first time seeing Sumikawa Mika. If it's labeled "Kiss" in Nagae style, you automatically assume the other role will be played by the "Kiss King" Ozawa Toru. The script and content are just perfect for Kiss enthusiasts – it's a total melt. Mika's gap between her pure appearance and behavior and her wildness during foreplay is seriously captivating. Her pubic hair isn't the trendy Brazilian, but it's nicely groomed, which is a nice touch. This is the Nagae style I've been waiting for.