
Sayuri, suspecting her husband of cheating, starts an affair with her driver. She later finds out her husband was innocent, but she's already addicted to the driver's touch.




















A true NTR masterpiece. Also, I kinda like how this guy always gives that smug, villainous grin at the end. But seriously, Hayama-san's sex appeal is on another level...
*The last three films starring Mr. Ozawa in ``Kiss Netorare'' feature former Madonna exclusive actresses who have not co-starred with Mr. Ozawa. Mr. Mizubata and Mr. Sumikawa were exclusive for a short period of time, but Mr. Hayama, who has been an exclusive for a long time and has appeared in works where he could co-star with Mr. Ozawa, I thought that Mr. Ozawa was definitely a NG. Even so, Hayama-san is erotic. Although she was beautiful at the time of her debut, she seems to be a completely different person from the impression she had when she debuted. Compared to the end of Madonna's exclusive relationship, her cheeks look plumper, and her body feels more fleshy, but it doesn't look like she's put on extra fat, and it's strange that she's just voluptuous. The gymnastics at the beginning, like riding a bicycle while standing upside down, are erotic, and the rich naked body shown during sex is beautiful. The volume of her thighs in her pajamas at the end is reminiscent of a Western nude painting. In the first half, the heroine is a really arrogant and unpleasant person, but she falls for Mr. Ozawa's driver's trick and asks for sex, which seems even more masochistic than being raped, and I think that's because director Nagae tells the story so well. The cunnilingus after the first sex is amazing, and Hayama's voluptuous pink body is beautiful during the last sex. After the heroine finds out that she was deceived by the driver, she immediately regrets it, and the way she shows remorse is surprisingly endearing. Even so, I think that Hayama's strong presence as an actress makes her seem more cute than a villain even though she can't stop her relationship with the driver. I thought this work was a kind of spin-off of ``Married Woman Secretary,'' which is different from Machi Ikuno's ``Younger Female Boss 3,'' which tells the story of a ``good'' president who doesn't touch his young, attractive secretary from his wife's side.
*Hayama-san, to be honest, when she was an exclusive member of Madonna, I didn't have the impression that she was very enthusiastic about kissing, and although she had a great sensual charm, I thought she was a bit of a disappointing actress. So, I thought that I wouldn't be able to co-star with Mr. Ozawa. However, this time, my expectations were completely betrayed. The kissing scene is really great. In particular, at first she responds to her husband as if she were angry with him, but then the scene where she masturbates while remembering the kiss, where the narration says, ``A kiss like a beast stealing its female,'' was amazing. Even though I don't usually get excited by female masturbation scenes, I was really drawn to this one. And from the second time onwards, as if something had been liberated from him, he began to pursue Mr. Ozawa obsessively. The flow of going for your mouth again after sucking is also great. I was completely blown away by Hayama's acting skills. I guess I gained a lot of experience during my time at Kikatan, and I instantly became a fan.
This is a work where you can see Sayuri-san's acting has evolved even further. Sayuri Hayama fits perfectly with Nagae and FAPRO productions. Her serious acting and chemistry with veteran actors are spot on. Since graduating from Madonna and gaining experience at other studios, she has grown significantly as an actress. From her bright personality to her quiet, subtle acting, she is an actress who will only get better. I hope she does more events nationwide. Please come to Hokkaido!