
The husband had borrowed money from his older sister. He kept it a secret from his brother-in-law. However, his brother-in-law found out, and that caused a fight... The older sister, trying to stop the fight between her husband and brother-in-law, fell down the stairs... Honoka, the wife who began to care for her brother-in-law in order to receive forgiveness from her husband...




















*The drama part in the first half is long, but that's a good thing! (Fumiko-san also cooks!) This is the first time I've been so excited by a deep kiss. The blowjob scene after they established a relationship was also good. If I had to be a little greedy, I would have been happy if there had been one more scene, such as standing up while dressed as an employee. Ashina-san and Fumitaka-san's acting, script, and camera angles were all excellent.
*When I first saw the preview video, I thought that the actress who appeared at the beginning was the lead actress, and I was intrigued by that, but in reality, she was a supporting actress. The main character, Honoka Ashina, has a cute face, but she has a lot of erotic potential, and the story setting can be said to be a bit too much from the first half. Still, it got even more exciting in the second half, so it's a good margin. I would also like to see him appear in various works such as multiple play. I think it will be important to keep the acting neat in the first half.
Ashina's incredible acting really carries this, making it a compelling drama and a steamy experience. It's a solid piece of work. The early drama scenes are longer than in the usual 'Atonement' series, but the erotic content is just as satisfying – one caress, one blowjob, and two intercourses. The story is original, and this installment feels less forced, more about genuine desire stemming from compromise. During the negotiation sex, Honoka struggles to resist the pleasure, trying to maintain control. But she's relentlessly bombarded with the caresses her body craves, slowly succumbing to the waves of ecstasy. Eventually, the thread of reason within Honoka snaps... From there, it explodes into a furious, ultra-greedy, and intensely concentrated sex scene. Honestly, this one is *extremely* hot. It's classic Nagae style, but few actresses could pull off this transformation with such raw power. You can practically feel the heat radiating from the screen – a passionate, lascivious, and unrestrained animalistic encounter. The tongue and lips are working overtime, a frenzied kiss that's surprisingly clean and sweet, something you could watch forever. Her unique beauty, a blend of innocence and maturity, shines through every situation, driving the viewer into a frenzy. Despite knowing it's wrong, her heart and body continue to crave her stepbrother... I won't spoil the rest, but let's just say the heat only intensifies in the second half. The actress and the production team really knocked it out of the park with the quality.
*In Kato Ayano's version of "Atonement," the wife had the responsibility to make amends, but in "New Atonement," I think the responsibility lies with the husband in most cases. I wonder if it's different...? In this work as well, it may be said that the wife has a part of the responsibility when it comes to making a living, but for the most part, the husband is responsible for making amends. This is an unusual setting in that the target of compensation is a relative. The brother-in-law played by Mr. Yoshimura is to be ``compensated'' by his wife, played by Honoka Ashina, but he is not a character with a weak personality like other works in the same series, but is a down-to-earth person, so he does not force him to have sex. Also, around this time, the wife may have grown tired of her husband's childish nature of chasing unrealizable dreams and causing trouble to those around him. (Although there is no direct description...) Eventually, his brother-in-law begs him to take her place as his wife, and after thinking about it for a night, he offers her his body to her. When the wife says that she will wash her body before the act, the brother-in-law responds, ``That's fine,'' and begins caressing him. I had a bad feeling that I was going to be shown another scene in which he criticizes me for not washing his lower abdomen and demeans women in particular (I hate that scene...), but my brother-in-law doesn't have that kind of stupidity, so I was relieved that my fears were unfounded. Of course, since I said I didn't have to wash it... My wife accepts with determination, but there is some hesitation and shyness, so although she shows signs of resistance, it is weak, and what's more, is this just Honoka's habit? When I was in the missionary position, I noticed that the toes of both of my raised feet were pointing outwards, and I was so happy (?) that I was really feeling it. Although it was supposed to only happen once, my wife visited my brother-in-law's shop the next day, and when she looked into my brother-in-law's reproachful eyes, saying, ``I told you I didn't have to come again!'', my brother-in-law stared back at my wife, and eventually the two of them kissed. and.... After that, the customary foolish act of sending a photo of the naked wife to the husband's cell phone was not done (another scene I hated), but the heavy fact that the wife was pregnant remained. In the middle of the story, there is a scene where the husband visits his brother's store, where his wife is supposed to be helping, and finds it ``temporarily closed'' and is even more uncomfortable as the store is empty, but it seems that this is where the husband's ``atonement'' begins. He doesn't ask anything of his wife when she comes home, he acquiesces even to situations where he would naturally do something, and ultimately even accepts her pregnancy. Am I the only one who sees this husband's "atonement" as deception and self-righteousness...?