NSFS-480 - New Atonement 23: To Be Forgiven, The Wife Offered Her Body

This is the 23rd entry in the series. If you count the 'Atonement' titles, there are even more, so the challenge here is how to avoid falling into a rut. In that sense, casting the fair-skinned Tomoda-san and showing her descent through Ozawa-san's skillful foreplay was handled very well. I feel like Ozawa-san's presence really carried this one. But honestly, how much longer can this series go on?

*There are several works in the "Atonement" series, and this is a pattern in which "atonement" is depicted for a person who works with the heroine's husband in starting a business, and whose life is disrupted as a result. However, compared to the traffic accident pattern where the husband or the heroine is responsible, the necessity of "atonement" itself is weak, and the heroine's hypocrisy and deception are exposed, so I don't like it! Both may be "same guilty" in that they prioritize their own feelings and force "atonement" on them... Personally, one of the actresses that I don't feel like, even if they're cute or beautiful, is the heroine of this work, Ayaka Tomoda. Of course, I don't have a bad impression, but it doesn't match my taste, or what can I say... The "Atonement" series is not influenced by the appearance of the actresses appearing in it, so this time it might be a lucky encounter... The person Ayaka will be making amends with is Tooru Ozawa, whom she hasn't seen in a while. "Lack of readiness" is exposed, and "redemption" begins with the customary development that ends in failure! Can't you think of a different development, or is this a scene you really want to depict...? Since she had avoided the crisis of her chastity, she should have stopped, but perhaps she doesn't want to admit that she is small, so she ends up making Mr. Ozawa responsible for his crimes as well... Mr. Ayaka puts his hand on the bed of his wife, who has not regained consciousness, and is played with from behind by Mr. Ozawa... Even though Mr. Ozawa urged me to return many times... I stayed here of my own free will... There's no need to say, "Let's stop it!", right? When Mr. Ozawa kisses her like a ``married woman secretary,'' her heart is at ease and her body is fully ready to accept... When Mr. Ozawa criticizes the obscene "sound", he apologizes and says, "I'm sorry," but he really means it! You came here to make amends, right? After being taken to the bedroom, Ayaka is panting and cumming all the time! I wonder how many times I cum before "insertion"...? It may be rare to find a "redeemer" who feels this much at first contact (?)... , I think the real pleasure comes after the second time when your body gets used to it, but after receiving the cum with "mouth sex", it's all of a sudden! We jump to the customary final condolence scene! I wanted one more sex scene, even if it was pseudo or short! There were some scenes that made me wonder, ``What about that course white...?'' His "revenge" by stealing Ayaka's mind and body and impregnating her is a little... It's not the "kindness" of letting your husband know the truth, Mr. Ozawa...?

*Ms. Tomoda was excited when she saw ``Fucked in Front of Her Husband'' a long time ago, and when she searched for other works, all she saw were ones that looked like cool older ladies with a different image, and in the end, she only watched one movie. After watching this work, I realized that she is a good actress. Although she is in her late 30s, she has the air of a woman from an earlier generation. Specifically, during the bubble era, I was a student and often met a woman at my part-time job, who was a bit flashy-looking. She was the type of woman who was fun when she was young, but when she got married, she became a very caring wife. Ms. Tomoda may be wearing a bit of makeup, but on the other hand, the atmosphere of a caring wife reminded me of that kind of woman. In fact, not only does she encourage her mentally weak husband at every opportunity, but when she visits Mr. Ozawa's house for the second time, where his wife is unconscious, she is already concerned about Mr. Ozawa's body and acts like a caring wife. Since she is a wife, it is natural for her to have sex, and I think this is the tragedy of a woman acting like a wife to all the men she wants to help. Tomoda's eyes are especially impressive. She looks kind with the corners of her eyes sagging, and she has eyes that really suit the role of a victim. There is a real sex appeal in her eyes, and it is perfect for a heroine who suffers from being raped by someone she wants to make amends with. The prominent veins on her breasts, which make her look a little older, are also nice. In ``Atonement,'' the source of eros lies in the fact that the heroine is mentally chaste towards her husband until the very end, and I thought that this was the shackles of this series, but if the heroine acts as a wife to two men, it will inevitably lead to a catastrophe. You can see that these two are inseparable from the first sex where she can't stand up while in cowgirl position, and the last sex where the bed is soaked with incontinence or love juice.小沢氏の「また来るさ」という台詞も良い。 The only problem is that they add too many elements to the ending, and I think the pregnancy story is unnecessary. I wanted the story to end with a scene of the heroine and Mr. Ozawa living quietly, like in Soseki's ``The Gate.'' I think ``Atonement'' is the best movie I've ever seen.

*Personally, this is the first time I've seen Miss Ayaka Tomoda as a stand-alone film. She is a mid-career actress in terms of her age. She is a veteran actress. As I entered my late 30's, I began to embrace the sex appeal of a woman, and I felt like I had grown up as a good woman. Now, for this work, Nagae STYLE's standard stories have traditionally been about the fluctuation of the heart from the middle of the story, and the gap between reason and sexual desire, and sexual desire wins, but in this work, the story has a slightly different nuance, where the man does not fall for his partner (his heart is not drowned in sexual desire), but he only allows his body to the other man. Although she is in the position of the wife of the perpetrator couple played by Ayaka Tomoda, the emphasis is on ``redemptive'' sex, and until the end, there is no depiction of her drowning in sexual desire (despite her husband's desire and betraying her). In a sense, this may be the story that is truest to the title in the "Atonement" series so far. However, personally, I wanted to see Ayaka Tomoda drowning in sexual desire/falling (completely fallen). In that sense, it feels like I've been given a watermark, Strictly☆3.