
Kaoru, a ballerina who finally reached the pinnacle of her career as a prima donna after 5 years, finds her life shattered. Kidnapped by a corrupt CEO, she is forced into brutal sexual slavery and eventually coerced into performing in a depraved, obscene ballet show.












The story is about a ballet dancer being held captive and violated, but I don't see the point of her being a ballet dancer at all. Sure, there are scenes of contortionist-style restraint, but the positions are all just half-hearted entanglementsโI don't know what they were going for. They should have either leaned into the ballerina aesthetic with the costumes or focused more on the contortionist aspect with better restraints; they really needed a clearer concept. It's a shame, because the lead actress's disciplined physique and performance (and the effort she put in) are truly impressive.
The director isn't known for his dramas, and the actress isn't the type to rely on her acting skills, so the dramatic quality isn't very high. It feels more like a contortionist-style molestation sex scene framed as a drama. It's not like that in the beginning, but from the middle onwards, rape scenes using wide splits or I-splits increase, and positions like the shrimp-back or bridge become more frequent, making it feel like a true contortionist work. Her sensitivity, shown through her twitching muscles, is still there, so the actual sex scenes aren't bad. It's not great as a drama, and the male actor's level isn't high, so I can't give it a high score, but it doesn't half-ass the cosplay elements and the muscular beauty is easy to appreciate, so it's a decent level for a contortionist work. It's a work for those interested in high sensitivity and contortion to enjoy the sex scenes.
A film about a flexible person having sex in a basement. The plot is practically non-existent, and since all the action takes place in the basement, it lacks variety and gets boring. That said, the actress has pretty good reactions and the scenes are quite erotic. However, the film fails to make the most of those strengths. It leaves a very plain, lackluster impression.