
Miyabi married a man she met at work. She was spending peaceful days with her husband, but her stepson, Yusei, wouldn't open up to her, leaving her at a loss. She tries to close the distance, but Yusei, burdened by a past betrayal by his previous mother and suffering from distrust of women, tries to treat her as a sexual tool and drive her away... Miyabi continues to obey his orders, seeking family connection, but Yusei brings a friend home and continues to torment her even more mercilessly. And endless days of shame continue for Miyabi...










*Miyabi Motomiya remarried the president of a real estate company, but her son-in-law, Yusei, rebelled against her. On the way home from shopping, they see Yusei's friends ``Dayama'' and ``Entsu'' and hear from them that Yusei has fallen into distrust of women after being abused by his biological mother and stepmother. When Yusei returns home, she tells him, ``I'm different from the mother you used to be,'' but she throws him onto the bed, saying, ``You're probably just after the money.'' Her lips are taken away, her nipples and clitoris are rubbed, and she is fucked with fingers and fucked. I was fucked in the missionary position, and creampied in the bending, doggy, foot, backside, and missionary positions. The next morning, when she sends her husband off, Yusei asks, ``Did you tell your father that you were getting a divorce?'' ``I love your father, and I want to help Yusei,'' he replies. "Then I'll make you want to come out," he said as he devoured your lips. He makes me lick his penis and scrotum and cums on my throat. A eugenic sucker sneaks under the table and eats dinner. Wash your body in the bathroom. In the middle of the night, when her husband falls asleep, Miyabi goes to the children's room. On the bed, I have Yusei on my knees and give me a hand job while sucking my nipples. While being filmed, he is penetrated in missionary position. Yusei shows the video to Dayama and the others and says, ``I'll corner them even more and expose their true nature.'' While Miyabi is tidying up the children's room, she asks him to play with her. Connect the shackles and leg shackles on the bed and blindfold yourself. Twist her nipples, finger fuck, and cum. Dayama and his friends sneak up on her and fondle her breasts. ``...Y-Yu, Yusei-kun, something is wrong. Is there someone?'' he asked, but I covered his mouth with a deep feeling. Take off the blindfold and cum in her throat one after another. On my days off, while my husband wears earphones and uses his computer in the dining room, Yusei and his friends play games in the living room and make a lot of noise. ``Play in your room,'' Miyabi warns him, and he devours her lips on the sofa, ``Are you ordering us?'' Her nipples are sucked and she is finger fucked. The electric massager attacks the clitoris, and the vibrator attacks the vagina. She is pounded in missionary and doggy style on the bed. The next morning, when she drops her husband off, she greets Yusei with a ``Good morning.'' He snaps his fingers and becomes completely naked. Dayama and the others climb in and put a collar on her. Crawling around the living room and getting hit on the butt. Her lips are devoured, her nipples are sucked, she is finger fucked, she is given a hand job, and she is immediately fucked. Yusei penetrates her in missionary, doggy style, doggy style and doggy style, and Dayama cums inside her vagina in cowgirl position. Entsu makes her cum in the back and doggy style. Eugene ejaculates in her vagina in bending and missionary positions, and then she gives him a cleaning blowjob. When her husband returns home, he sees Miyabi indulging in a reverse foursome with Yusei and his friends.
Oh my god, this is amazing! She's not busty, but incredibly erotic! Or maybe it's *because* she's not busty? I've been really into slender, slightly-less-endowed mature women lately. Seeing her being forcefully taken by a younger guy while still being so sensitive is a huge turn-on! I'm really looking forward to more work from Miyabi Miyabi. Definitely a keeper!
*It is the true essence of eroticism when a mature woman, who must have been able to distinguish between the sour and the sweet, is simply in love with a cock and cries helplessly, ``Push me more...'' and ``It's so good...''. Was Miyabi Motomiya fatter before? The skin on her stomach is surprisingly bulgy, probably because she's been on a diet. This is the first time I've seen the bulging feeling of the "skin" on the belly. It's kind of fresh. She's slender, her skin is white, and the way her long hair clings to her body makes her seem like she's going crazy. The way his body convulses and makes you feel really excited is amazing. And the way she surrenders her body to the afterglow is really erotic.
*The style is more like Goro Tameike's ``Yomo-nakko●'' series than director Mamezawa's circle-type series. The setting of the son of a suspicious woman who has been oppressed by his biological mother and former stepmother is an obvious setting, but director Kawaguchi must be credited with not simply rehashing the film. Since this is her second drama, it's not that she's bad at it, but the actress' acting ability is commensurate with that. Although the relatively powerful sex is monotonous, it is not without its charm. She's officially around 50, but the scene where she says to her husband, ``I want to have a child,'' but is coldly rejected, also shows that she's not ready yet, and it's a good prelude to a creampie story. The creampie rape at the beginning feels like a one-sided affair, but the way the mother-in-law gradually begins to enjoy the masochistic physical relationship with her step-son gives the illusion that she has grown closer to him, which is very effective, and the way she gives hope and then plunges him into despair is unique and good. The actress is too new to play the role of the mother-in-law's nervousness and panic when she notices the presence of other men, and honestly, I'd like to see another actress with more acting skills play this role. The second half is a monotonous circle of just doing it, and if possible, ``My daughter-in-law calls her male friend and makes me circle every day.'' Maki Tomoda'', where the son-in-law urges his friends to impregnate his mother, would have been a punchline based on the mother-in-law's line at the beginning, ``If I have a younger brother or sister, I'll be closer to my son.'' The ending is also like ``The days of never-ending creampie ring.'' '', it lacks a lasting impression and is uninteresting, but considering the acting ability of the new actress, I feel like it can't be helped. If possible, I'd like to see a veteran with acting skills dig deeper into this story.