ROE-329 - The president's wife takes a new graduate employee on a private creampie business trip Momoko Isshiki

Momoko, dissatisfied with her husband, attempts to seduce a new employee, Saji. Her allure is captivating – honestly, who could resist? The story revolves around Momoko seeking an affair due to her husband's infidelity. The slightly darker visuals aim to create a sense of illicit romance, which works to a degree, but the consistent darkness throughout feels a bit much. Some contrast would have been nice. The bathroom scene was beautifully lit, and Kimura's cinematography is as stunning as ever. Though, I wish he'd lay off the unnecessary darkness sometimes. Overall, a gorgeous piece. Saji's acting was solid too. I would've loved to see the final scene with him be a bit more…intense, a little more ravenous. I personally preferred the Yoshinaga installments in this series. Just my two cents, of course.

え！これってAV？と思わせるパケ写。シリーズの過去作品とは違う構図で、見つめ合う男女は正対するでなく対角(交差)？する形です。作中でこれに近い構図の時は男性も浴衣姿でしたがパケ写ではスーツ姿になっており、女専務の教育で「一人前の男」になったことを表現しているかのようです。また女は年の差を意識し、その意識の大きさに比例するように大きな文字で強調された「年の差」も目を引きます。そして下から見つめる女の眼差しには、この新卒君もいずれは若い女に目がいき私から気持ちが離れていくかもしれない、そんな不安と愁いが感じられます。個人的パケ写の解釈でしたが、既存にとらわれない印象的なパケ写です。 作品はしっかり一色流のエロエロ全開。若いおち○ちんにロックオン、言葉と艶かしい表情で新卒君を虜にしていきます。日頃から浮気癖の夫とは御無沙汰で、こんなに求められて嬉しいわと乱れます。タイトル文にある通りもう逃がさない状態です。ん、逃がさない？はずなのにラストシーンではもう来年の新卒君の教育が楽しみとか、毎年恒例？。キ○タマすっからかん以来？久々作中での眼鏡姿には気品とインテリ感とエロさが漂い、またラストのウィンクしながらのサムズアップも可愛いかったです。そんな中印象深かったのは冒頭ドラマパートの洗濯物を投げつけるシーンです。いくつになっても女でいたいのに、女遊びの激しい夫への強い不満がこのシーンによく表れてます。投げ方、飛んだ距離、完璧です。照明による陰影効果や引きのアングルを多用したカメラワークは良かった一方、撮影用照明の映り込みや電源の入ってないパソコンでの入力作業、帰宅した夫との会話シーン夜のはず？なのに窓越しが明るかったりなど少し気になりました。日頃のうっぷん晴らし夫への仕返しとばかり新卒君を誘惑しセッ○ス指南しながら私欲を満たす本作は、こだわりのパケ写と一色流愛欲全開で良かったです。

The drama and the scenes themselves are, as always, top-tier Ichiiro Momoko quality. However, and this is a pretty harsh take… the lighting and the payoff at the end just didn't quite deliver. First off, the lighting. It's dark, just like in previous works. It does create a mood, sure, but Momoko's figure really needs to be well-lit to truly shine. I felt like it was missing something. And then there's the ending, which is fundamentally the same as always. I was hoping for a more impactful resolution, especially with the husband struggling with his work schedule and Momoko's line, "Is your mistress that important to you?" It could have been a clever contrast between being a cherished mistress and ending up with a new employee. But, sticking to the series' concept of moving on to the next new hire, the ending just feels…off. I was hoping the new packaging and Momoko's lines meant they'd shake things up, but it didn't happen. While the Ichiiro Momoko quality is undeniable, it feels like the series has hit its ceiling in terms of entertainment value. It's become clear what the limitations of this series are.

It's rare to see Momoko so openly lustful and expressive right from the start, but honestly, I was blown away 😍 The packaging feels fresh too, and the director's masterful use of light and shadow in the camera angles is a real treat 😍

This is the full Ichishiro Momoko experience and then some. The female executive, completely frigid in her marriage, is bursting with frustration, and the new employee becomes her outlet – and things escalate *fast*. The dialogue, like "Come inside" and "Make me pregnant," is just incredible! This really pushes boundaries and takes things to a whole new level. Lives up to the hype.