Momoko IssikiI have been living in Tokyo away from my family home for 5 years. I returned to my hometown after a long time. My parents and grandfather live in my family home. My grandmother passed away, and my mother is taking care of my grandfather, who is depressed and mostly bedridden. My father is not interested in the family and is always out. One day, a strange sound leaked from my grandfather's room. It sounded like a considerably exaggerated animal cry. Curious, I quietly opened the shoji screen. Then... inside the room was my mother in a vulgar state, moaning while being suckled by my grandfather, and my grandfather tenderly handling his penis...
*Momoko's beautiful BODY and lustrous technique are extremely wonderful. I absolutely love her naughty face and voice. I can understand that my son would want to take a look. Sweat, body fluids, and intense sex... creampie. I really like Momoko's work.
*It's my favorite series and I knew the general story, but I don't think Momoko has been a woman from the beginning in any of her previous works. Her karami was also aggressive, and the deep tongue-twisting kiss and oral sex were worth watching and I was excited. I thought that the karami also came from Tooru Ozawa, who co-stars with him. Also, Karami's character is dark overall, and I thought it was a great effect as she became something that her grandfather and mother shouldn't have been. Also, the camera work was intentionally out of focus, giving a sense of a more lewd space. Based on these things, I thought it was one of Momoko's masterpieces and thought it was very good.
*The story is everything the title suggests. Therefore, the drama part only depicts the situation. Rather than the setting, the center and highlight of the work lies in the messy relationship between a middle-aged man and a woman. A pair of male and female already indulge in pleasure by skipping the process. From the beginning of the story, you will be stimulated by Momoko Isshiki's nasally "Iaaaan" voice and her ecstatic expression. Sweat, drool, and bodily fluids that wet the body. Sunset and a dimly lit room in a Japanese house. Makeup that's not too pretty. Clothes and underwear that are obscenely shifted. A verbal exchange that heightens the senses. The depictions and compositions are reminiscent of erotic novels or old erotic dramas, and are intriguing. What I found disappointing was the family meal scene along the way. Although this part of the drama is supposed to be a prelude to the next intertwined part, it is not continuous at all, and the dialogue in the intertwined part feels contradictory. Personally, the good thing about it was that for the first time in a while, there were a lot of nice-looking peach-butt shots. She slides down her underwear, digs into her flesh, sticks it out, and shows us her exposed buttocks and butthole from a good angle. This is a scene where Momoko Isshiki's words ``obscene,'' ``slutty,'' and ``pervert'' are fully demonstrated during the act. Momoko's works that change within the drama and are accompanied by emotion are also good, but in this work you can fully enjoy the naughty Momoko Isshiki. The love that can be glimpsed in that lewdness can be said to be unique to Momoko Isshiki.
*It's been a long time since I collaborated with Tooru Ozawa. Also, the shooting in a studio in a Japanese house with slightly dim lighting gives the work an even more sensual feel. The story depicts the turbulent relationship between a grandfather and mother from a son's perspective. The work not only depicts simple interactions, but also the exchange of words that creates a sense of everyday life, creating a work that has a different feel from Momoko Isshiki's usual works. Of course, there's plenty of the usual intense "Igu, Igu" exchanges, making this work worth watching. The last punch line... Enjoy.
*The relationship between my grandfather and mother was not that easy, with secrets between them. The expression "copulation of the beasts" is appropriate. This crazy relationship. Too harsh!! I wonder where this relationship started. It's normal to think that it comes from the old man, but... Because it's about Mr. Nise Isshiki. I guess my mother (wife) invited me... I can imagine all kinds of things.
