ROE-475 - For 16 years, I thought my wife was a tuna... She continued until she convulsed from adulterous intercourse, reached climax, and fainted. Ichiiro Momoko

In this work, Momoko Isshiki brilliantly plays both a passive 'tuna' woman and an active 'flying fish' woman. But she’s not just any flying fish—she’s a 'soaring' fish. She actively thrusts her hips, resulting in a spectacular squirt with impressive distance and volume, followed by a series of orgasmic spasms that could be considered over-the-top. These spasms extend to her limbs, kicking her legs and flapping her arms as if she’s truly flying over an ocean of ecstasy. While Isshiki-san is often left to her own devices in intimate scenes, it seems there was specific direction from the director here. According to her X, the theme was 'excessive action,' and she even asked, 'I’m the one doing this?' But when the script was finished, the director likely had no doubts about who to cast. As the director told her, 'Only Isshiki-san can do this,' he clearly valued her acting ability and expressive power, drawing on his experience directing 'Orei Mairi.' Isshiki-san rose to the challenge, shedding all shame to pull off this slightly comedic, over-the-top 'flying fish' role. That’s Isshiki-san for you. However, those who prefer natural reactions over exaggerated performances might find it a bit off-putting. Finally, regarding the cover art: her fragile, fleeting, sorrowful, yet alluring expression seems to reveal her inner self, making it one of the most beautiful covers among all her works.

*The couple's nightly activities are expressionless, like tuna fish, and they don't feel anything. When my ronin nephew kisses me or touches my breasts, I get so excited...When he licks my breasts (nipples) and the bottom part of me, I jump like a flying fish, and I'm squirting from the feeling. Momoko-san is feeling it all the time and the amount of tide is incredible. I think I've played it quite well in my previous works. I love it so much that it's in the BEST3.

Momoko peaking while cheating with her young nephew. But between the frantic hand-waving, the bouncing hips, and the squirting—which is so excessive you're practically asking "how much can possibly come out?"—it's all just too much. It was so distracting that I couldn't even enjoy the scene. Less is more, and this was definitely over the top. For a Momoko feature, I really wish they'd put more thought into the direction.

This time, the uncle's playing the role of a flying fish jumping from a tuna! The nephew, aiming for Tokyo University, is a three-time repeater and relies on the Ichii family every time he takes the exam. He uses that time to indulge in nightlife and hone his skills, becoming a womanizer. While peeking at the Ichii couple's nighttime activities, he witnesses Aunt Momoko as a tuna, and thinks, 'I can satisfy Aunt Momoko!' He seizes the opportunity and starts trying to seduce her. Momoko, caught off guard, experiences climax for the first time. She spasms and ejaculates like a flying fish, moaning "Ugh, ugh~". Momoko is a great actress, but her performance felt a bit over the top for this story... I think her usual spastic acting would have been better than trying to portray a flying fish. This is a masterpiece, definitely worth owning!

A beautiful and virtuous wife, Momoko Ichinose, a domineering husband, and a nephew with a subtly unsettling vibe. All three characters have a distinct flavor, making this a slightly difficult work to evaluate. As the title suggests, Momoko Ichinose goes wild with every position – her back arches and spasms, she ejaculates with incredible force. The progression is also impressive, showing her emotional changes step-by-step. Like previous Momoko Ichinose works, the sensual acting is meticulously designed, and every scene builds towards a climax. It deserves full marks as an AV. However, even with the regulations, the drama progresses with good cuts from the beginning, then shifts with the husband's anger in the latter half, and finally, Momoko Ichinose's emotions reach a peak! I was really immersed and excited, but the foreplay before the subsequent positions is too lengthy, causing the momentum to falter. Despite the nephew's characterization, his unsettling nature and obsession fade as the scene progresses. It's hard to believe his personality changed due to the affair with Momoko, and it feels like a missed opportunity. I understand that AVs can't prioritize the dramatic parts for too long, but I think both the creators and the actors must have felt a dilemma of not being able to delve deeper. Inserting cuts of the husband's anger several times during the final position was good, and I felt a sense of sadness. Perhaps it's the creators' pride? The new work, the expressive changes, and the stunning quality of the package photo are all outstanding. Momoko Ichinose shines just by being there. I apologize if my impressions are different from what you expect from an AV. But I have a feeling that a Momoko Ichinose work that resolves these conflicts will be created someday. Looking forward to a masterpiece!