Momo SiraisiI lost my father when I was young and grew up in a single-mother household. My mother worked day and night, taking on multiple part-time jobs to raise me. A year ago, my mother remarried a businessman she met at her part-time job. I wanted her to be happy... but recently, my mother's behavior has been strange. She screams hysterically and is calmed down by her husband... that's been my daily life.
The actress and the story are really good, but... The camerawork is a real shame. It's shot all shaky and moving around, making it really hard to watch. The angles are bad too, and even though 'Shiraishi Momo' is giving a fantastic performance, a lot of it isn't captured well. The male actor is good at playing that unsettling vibe, but as someone who loves things to be intense, I found the sex scenes a bit lacking. It's a work with potential, but it's disappointing.
A dark story about a girl being assaulted by her mother's remarried, psychopathic gentleman. The navel licking is chapter two. She's being tossed around by the man on the sofa. The man's sharp tongue tip is inserted into her navel. A total of 30 seconds of licking.
I've lived a long time as an M-type guy. I wasn't really interested in this kind of rape stuff or M-girls. But when you really lean into being an M, you end up becoming an S, huh? And then there's the insane setup of this work. The initial assault is forceful, but the way she resists and her reactions during ejaculation are justโฆ thrilling. Afterwards, when they shower together, she makes a gesture to wash his crotch. And there's a scene where the old man gets furious and blasts her with water from the shower. If it portrays these subtle emotions and the changes in the woman's expression as she gradually falls, it's a really great work. It's an unbelievable setup and an impossible situation, but that's what AV is all about, isn't it? Honestly, I want to watch the other installments of this series. This is definitely a keeper.
I think Momoka Shirai's eyes change depending on the role. This work is also insane with its resistance, fear, and despair, so five stars.
Like the previous Oba version, the script pushing the plot of 'a child's happiness is sacrificed for the happiness of their parents' is impressive, but it's a shame that the lack of a wedding ring on the actor playing the father, Ohshima, lowers the dramatic completeness from the start โ something that often happens in Kawaguchi's works. The portrayal of the mother becoming mentally ill from the beginning due to the pressure of being divorced by a wealthy husband and returning to a poor single-mother household is a fresh approach. The suspenseful direction using 'doors' is also new, but it feels halfway there because it doesn't fully translate into the work's identity in the early stages. Scenes like the daughter opening a closed door at the request of her stepfather to have a child instead of her mother could have been explored more deeply. The initial rape scene relies too much on showing violent intimidation and controlling through fear, which I didn't really like. It doesn't seem to fit Ohshima's personality, which has recently been characterized by the mental pressure similar to Tabuchi. Still, Shirai Momo, who plays the daughter's hidden perversion, is erotic in making you feel attracted to the sex that leads to her becoming pregnant with her stepfather in an extreme situation. Her performance of the 'shukkei iki' (fertilization climax) losing consciousness during ejaculation was excellent. The mid-game play doesn't get boring as it reveals the daughter's true nature, who doesn't dislike being forcibly impregnated by her stepfather. I highly appreciate the extended length of the kaikaku kyลiku (leg-spreading training) scenes. The direction, with hints like 'make me feel like a man' and the stepfather's commentary like 'the cervix is descending,' is erotic as the daughter becomes aware of her mind and body adapting to pregnancy, and the actress's performance is also good. The scene where she cooks for her stepfather is not bad, as it contrasts with the beginning where her mother criticized her cooking, and the daughter's psychology of wanting to please her stepfather without a bra is reminiscent of Stockholm syndrome, but it was boring that the stepfather just eats silently, and I wanted a more in-depth depiction. The latter half of the sex is the 'boycott' type with no resistance and no reaction that the director has been into lately, and it may be suitable for the theme of parental happiness and child misfortune, but it doesn't align with the flow of the fall until the middle and isn't erotic in terms of visuals. The ending also feels like it's being glossed over with atmosphere, and while the director has crammed in a lot of ideas they wanted to try, it lacks consistency and feels like a prototype. I think the Oba version, where the daughter finds happiness at the end of misfortune and everyone is reasonably happy in the end, had a higher degree of dramatic completeness.
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