SAME-124 - My mother tells me to have a child with my father-in-law every day. Azuki Tenzuki

A laid-off stepfather A mother unable to bear children Accepting the stepfather's advances in place of the mother for the sake of family happiness Daily doggy style, aiming for pregnancy between parent and child The erotic transformation from hesitant first-time sex to pleasurable encounters. You can fully enjoy that beautiful, ample bosom.

Azuki Mizuki is a voluptuous talent, and while the setting is supposed to be a high school student, the play in the latter half is confusing with a JK costume. (Wearing something like that in public would incite crime!) I'm happy about the JK erotic casual wear. Like Miyu Oguri's works, the "impregnating stepfather" actor doesn't have a violent impression this time. Rather, he comes across as weak, having lost his job or being addicted to alcohol. He doesn't put up much of a fight in the initial scene. In the latter half of the play, Azuki Mizuki is being passively caressed. As usual, The story of "the stepfather forcefully coming on to and getting his stepdaughter pregnant" has the wife agreeing and preparing costumes for use in play from the latter half. I actually preferred the previous Miyu Oguri work where the daughter strongly resisted the stepfather. The indoor scenes in the first half have a warm color scheme and low contrast. Can something be done about that?

This is a reimagining of the "My stepfather has been raping me every day" series, leaning towards the setup of "My stepfather, after my mother became pregnant and unable to have sex, began to violate me, and ended up getting me pregnant too - Miyu Oguri." While the daughter is supposed to be a high school student now, the jacket, flashbacks to her junior high days, and the suggestive costume at the end are a bit confusing. Kitourune Kawaguchi's stepdaughter pregnancy works have largely revolved around rape-induced pregnancy stemming from distrust or dislike of the stepfather. The shift to a setting where, despite the formal language and psychological distance, feelings of gratitude and respect are much stronger is a significant change. The depiction of the ultimate "family love" – accepting the stepfather's child and even sex in front of the mother – is striking. The woman's capacity to embrace and forgive the stepfather who forces himself upon her, and the maturity of a woman who prioritizes her mother's feelings over her own preferences, might not appeal to users who value "realism," but I find it unique and prefer it to "My stepfather got my mother pregnant..." The mother's character, who proactively suggests the daughter have the baby, isn't portrayed as purely malicious. There's a consistency in the idea that "the family's happiness is my happiness," and the dynamic between this mother and daughter feels familiar, even if the direction is different. The attention to detail, like the mother buying erotic lingerie for her daughter as if it were children's clothes, is also commendable. Azuki Mizuki doesn't quite convey the impression of a body developing for pregnancy, which makes the mid-game play a little awkward. However, her genuinely family-oriented personality is believable, and she delivers a challenging role dramatically and erotically. It's unclear if it will be serialized, but it's a good piece of work that could serve as a benchmark for future performances. Rare for a Kitourune Kawaguchi production, there are no noticeable shortcuts in the presentation, such as the father, Nakata, not wearing a wedding ring. The story of a happy family that society might not accept remains consistent throughout, making it a flawless 5-star quality work.