
Masami, a housewife suffering from a sexless marriage, is visited by her husband's former boss, Oshima. He demands she pay off her husband's debt with her body. Despite her guilt, Masami finds herself addicted to the intense pleasure Oshima provides, eventually turning into his sex slave.
Was she the best-selling actress from the SOD employee series? She's pretty and cute, but I personally didn't find her all that erotic.
There are a lot of dark scenes and the direction feels a bit cheesy, but there's a strange, erotic vibe to this work. A sweaty Masami Ichikawa is also very charming.
Masami Ichikawa's first serious drama. The actress is a great performer and truly beautiful, with refined features and a slim, perfectly proportioned body. Her small breasts with perky nipples, tight waist, and the alluring line from her soft hips to her thighs are captivating. The Showa-era aesthetic, with props like the rotary phone, sparklers, and yukata, makes for a quite romantic piece. Despite how beautiful and erotic Masami is, I felt something was missing—the middle part drags. She seeks out the man after remembering the pleasure, but it ends with just a blowjob. She invites a man over because her husband is away, but it ends with just fingering. The acts feel too half-hearted to get excited. It’s a failure of script and direction. Then, days later, she masturbates out of loneliness. Of course she's frustrated! It's a waste of Masami's talent. That said, the masturbation scene is exquisite, and the final encounter with the man who visits during the thunderstorm shows off her incredible erotic potential. She actively seeks him out, undresses him, and strips herself—it's obscenely erotic. Masami really is the best!
A film that evokes the atmosphere of Showa-era Roman Porno. The dark visuals, combined with a female narrator describing Masami-san's inner thoughts using lewd language, are unusual and heighten the eroticism. Masami-san gives a great performance as a wife who cannot satisfy her husband and struggles to suppress the desire surging from her own body. The sweat dripping down her neck and armpits, captured in close-up against the backdrop of cicada sounds, fuels the eros. A man demands 'sincerity' in exchange for paying off her husband's debt; the married woman's sexual desire overrides her reason, and she unbuttons her clothes herself. The thrill is unbearable. Facing a fierce, erect penis she hasn't seen in a long time, she takes it into her mouth, whispering, 'Was it always this hard?' followed by lines like 'The nectar from my honey pot is overflowing... it's as hot as if pierced by a fire poker,' like a scene from an erotic novel. The woman's instinct to become a prisoner of the man's body and the sense of immorality that should cause conflict only serve to stimulate her sexual pleasure further. Alone in the dark, soothing her loneliness, Masami's coquettish behavior as she 'rubs her erect clitoris to her heart's content' exudes a lewd scent through her realistic finger-only masturbation. The man pays the debt and says goodbye. As thunder roars, the wife clings to him and pushes him down. They strip off their clothes and devour each other's bodies completely naked. Her buttocks are spread, revealing her lewd, hairless, flesh-colored vulva. They grope and connect; the beautiful wife convulses as she is penetrated deep into her vagina in the doggy style. The finale is in the missionary position: 'Come. Let me taste it...' It was a masterpiece of Masami-san's dedicated acting, perfectly portraying the struggle between a married woman's virtue and her overflowing sexual desire, and her intoxication with female pleasure.
Exactly what the title says. Why go out of your way to make a drama with a 'sweat-drenched' premise? I want to see a proper, clean, and polished drama featuring Masami Ichikawa.