
A successful couple's life falls apart after a tragic employee death. To save her husband's business and make amends, Iori offers her own body to the grieving, broken widower. A dark, emotional sacrifice for love.




















She has a baby face but a curvy, chubby physique; her waist-to-hip ratio is beautiful, and her voice is definitely her selling point. However, the camera angles are disappointing—even in 69 positions, they barely focus on her hips. Maybe she had a 'no-go' angle request, but it's a real shame. I was hoping she'd become a future ace if she polished her acting, but I haven't seen her at all lately, which is even more disappointing.
*Although she has a baby face, her body is plump and intriguing. I can't say that his acting is good, but his good personality and honesty come out well, making him likable. The expression on her face is especially realistic when she desperately resists being touched for the first time. The first Karami is in mourning clothes. The fact that it is see-through gives it an erotic feel. Especially the blowjob when she changes legs around 00:45 is exciting. The scene changes and we see that the couple's life with their husband at home is a bit dull, but I wanted something a little better about it, like erectile dysfunction. The second time, the karami is done by hand, and the sensitivity becomes much better as it goes ``go away, go away''. It is a pity that there is no insertion. There is also a setting that this is the last Karami, and the role of the wife is in high spirits with her tongue and tongue from the beginning. From around 1:54, she started riding in cowgirl position, and just as she said, "Oh, no, I'm coming out, I'm coming out," she raised her hips and started squirting. It's a shocking scene. The way he dies after saying, ``I can't do it anymore,'' is amazing. It goes beyond meetings and acting. What's disappointing is the ending and story development. I think the ending could have been a little different, but this kind of content is unique to Nagae, so let's look forward to the next work.
*"Iori" has a baby face in her 30s and a married woman's voluptuousness that stands out more than in her previous works. Sensitivity and fair skin, which are her strengths, are photographed in an erotic manner, and if it weren't for the suspicion that it was made for a drama, it would definitely have received a full mark.
As expected from a Nagae production. While other AVs are fine just watching the first half, Nagae's works get interesting in the second half. This one is especially good. The sleaziness of the older male actor stands out, and the actress's acting is superb. The way she avoids eye contact when she's supposed to be resisting or even when she's feeling pleasure, and the way she moves her hips—it's all very erotic. The climax in the second half is the best. I wish there were more panty scenes. Also, drama-focused works with natural-haired actresses are always a plus.
女優さんの新妻感と素朴さがとても良かった。 相変わらずテーマは重いです。 今作では女優さん自身の初々しさと振る舞いの辿々しさが、その後に控える陵●の期待感に繋がっていました。そして黒い装束に秘めた肉感も素晴らしく、着衣での絶妙な晒しからの舐りも官能的でした。 毎回ハメられていくうちに精神よりも身体が順応していく流れも定番ですが、ラストの完全に夫を裏切り振り切った絡みは圧巻でした。 FA時代から継続する長江監督の鉄板作品ですが、見事に継承されていました。