
A couple who had been living together for a long time. They were worried about what to do with the two-story house after their mother-in-law passed away. At that time, the father-in-law, who hadn't even come to the funeral, suddenly returned. The father-in-law ended up living in the two-story house with them. As they were able to go back and forth between the two houses, problems arose between the father-in-law and his daughter-in-law, Hikaru…




















I've been getting annoyed with Ozawa's acting lately. This one just feels like another lecherous old man, which is irritating.
I was really hyped for the combination of Hikaru-san and Verotchuu Ozawa... I expected a pretty explicit work, but Ozawa-san's usual ruthless side was toned down, making his advances feel a bit hesitant, which was a little disappointing.
Hikaru's beautiful and cute eroticism, combined with the lewd and vulgar atmosphere, really shines through in the depiction of the father-in-law's yandere-like obsession with his son's wife. From a play perspective, it's a good work. However, the previous three installments in this series strongly tied the characters' backgrounds to the filming locations. This time, the change in location significantly downgrades the father-in-law's background, and his portrayal as a debt-ridden, power- and money-less scumbag sneaking into his son's house is a complete reversal of the previous works. This change diminishes the series' appeal and alters the direction of the work. Compared to similar works, the dramatic elements are less engaging, and the lack of doggy style also feels like a missed opportunity. While the actress delivers a fantastic performance, it's hard to fully appreciate it considering how the father-in-law's arrogance, fueled by wealth and power, previously elevated her acting and the overall enjoyment of the series. I hope the next installment will revisit the core concept to recapture the series' original appeal.