RBK-021 - 母親の再婚相手のオジサンに毎日レ●プされています。 南乃そら

Well, a small business owner's motive for remarriage is obviously to have sex with his beautiful stepdaughter. Saying he 'wants a child' is just a cliché. Honestly, I have to hand it to him for pulling it off. But this is just a fantasy. Everyone has these thoughts, and Toru Ozawa—a great actor, director, and screenwriter—is the one who turned it into film. (Omitted) Given the era, I sometimes wonder why I settled down and married my current wife (laughs).

*This series is lacking. What is not enough? It's in the sex scene before the pregnancy is discovered. After the pregnancy is discovered, the woman (daughter) is already drowning in the pleasure of sex, and the father fucks the daughter as he pleases. However, the process of getting there is somewhat abrupt and unsatisfactory. In this work, when the daughter has sex in the bathroom just before she becomes pregnant, she is already at the mercy of her father, accepting his kisses, accepting his cock from behind, and surrendering to the pleasure. However, in the bed scene in his room before that, he did not accept his father and still hates him. This scene is important in the series. Honestly, this is the first time I'm here, and even though I don't like it, I want him to cum. If you blurt out "I'm cumming" to your father at this point and let him cum, you'll be more persuasive and excited in the subsequent scenes. However, in the series, this scene right before the pregnancy is revealed is always cut midway through. The Ibuki Mako arc is like that too. It would be more natural for the daughter to say that she became pregnant because her father forced her to cum and cum inside her, and it would be easier for the daughter to accept the situation. Also, my father's hopes are a little shaky. Do you want to impregnate your daughter because you want a child of your own, or do you just want to have sex with her? It's strange that that part is blurred, so the level of brutality is not enough, and the way the girl feels is also half-hearted. None of the plays are bad, but it's hard to empathize with them. In this work, the first father's persuasiveness is not as strong, but his forceful play was the best. It wasn't that forceful, and the daughter didn't feel like she was trying to run away, but it was good that every blow the father gave was deep, and the daughter arched her back every time she received a deep thrust, saying, "Nnn, nnn."

I like the scenario, but the second part is unsatisfying. If you want your own child, don't finish in her mouth—do it inside properly. The tension of having the mother nearby was great, but it was a letdown that it ended with oral.

I thought it was just another rape-themed video, but the story was actually good, so I was satisfied. Personally, Sora-san's underhair is my type.

The lead, Sora Minamino, has a cute face and a slightly chubby body. Her voice is husky—low for a woman—but her moans are cute, and she can actually act out the 'resisting' part well when being violated, so she's definitely not a bad actress. However, the work itself feels lacking. It's hard to pinpoint exactly why, but it just feels like something is missing. Maybe the direction just didn't suit her? Even with a veteran like Ozawa as the male lead, it feels like a waste!